I know this is likely to start a war, but I'm looking for a string that will pair well with my passive jazz and model J's. I've got rotosound 105-45 on now, and I don't know, just don't seem to have much definition. Would like to get more punch, and a little more of that P-bass thump, without being muddy. What is the generally well-liked all-around string around here?
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Good All-Around String for Jazz
- Thread starter betardfoosier
- Start date
I'm not sure I agree with the rotos not having enough definition yet, just tried a pair myself but the thing I've noticed is that there seems to be a more even(?) tone going across the board on each string, if that makes any sense to anyone. I'm perfectly happy with fenders own strings but I did want to try the rotos, and after getting that rough feel off after a few weeks of playing I like them fine. I can go with either brand I think. I'm not a d'addario fan...now THAT may start a war...most folks will probably recommend flats for you to get that more traditional P sound.
I'm looking to minimize the click and clank I currently struggle with, and make myself more present in the mix. I have done as much as my EQ will allow, and I'm still now where I want to be. I'm trying to decide between chrome flats and TI's. I want lots of punch from my jazz, and to be present in the mix without being overpowering.
Chromes and TIs would both work great for you IMO. Less clank and a more defined and present bass note. I would suggest you try Chromes first if you don't have experience with flatwounds, you may not like them. Chromes are pretty bright when they're new, but they're still tame compared to a lot of rounds, and they develop a beautiful midrange voice after a month or two. TI Jazz Flats are very peculiar strings, and very expensive too so I wouldn't advise getting them unless you know that you'd like them. They have really low tension, so you would most likely need to get a setup done on your bass. Their tone is very mid-bass voiced and they don't have much attack. If you like them, then you may not ever need to get a new set. If you don't like flats then I suggest DR Sunbeams or GHS Pressurewounds.
GHS Pressure Wounds if you want mellower string that plays more like a round but has a smoother finish, less drag, less fret noise. I have a set on my passive CV Jazz and they are the best string I've ever played on a Jazz Bass.
You don't lose and clarity or punch but the aren't bright or zingy and harsh as some rounds can be. Great for fingerstyle or pick but not a string for slapping. Very expressive, very consistent volume and tension. This is the string for guys who don't like muddy flats but aren't looking for ultra bright.
You don't lose and clarity or punch but the aren't bright or zingy and harsh as some rounds can be. Great for fingerstyle or pick but not a string for slapping. Very expressive, very consistent volume and tension. This is the string for guys who don't like muddy flats but aren't looking for ultra bright.
I went with a medium set of Chromes. So far they are pretty bright, but as I've been told, that will go away in awhile. Why do flatwounds live so much longer than rounds?
My guess is that there is less area for the crud that deadens the strings to build up in. Chromes seem to get better with age.
It's kind of like buying bald tires. They live forever because they're already dead out of the package
These chromes sound great on the low end, where I was lacking before, especially with my neck pup, however I find that my D and G strings are now significantly quieter than the E and A. My pickup heights are reasonable, slightly higher on the G end than the E end. What gives?
