You'll want to get that upturned iron mounted in a nice stable wooden box before too long![/QUOTE
I got the idea from a famous Australian luthier's web site.
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You'll want to get that upturned iron mounted in a nice stable wooden box before too long![/QUOTE
I got the idea from a famous Australian luthier's web site.
Gosh that looks like a heavy mold.
I'm building a three piece mold for my next bass and I'm trying to work out an economical way of makiing it stronger and lighter. At the moment the design is like yours; a big cheese! But I haven't cut the middle out yet.
Apparently outside molds are more suited to production line use, but as I haven't tried one yet I have to go on what I'm told. KCStrings use outside molds for assembling the basses, but bend the ribs using heat blankets onto separate rib forms. But that's a production line.
Attached is a pic of my new mold in progress, three layers of ply shaped and with clamping positions sketched in. Tomorrow I'll remove the centre sections, then setup the layers with strategically placed spacers.
Try to work out where my corner blocks will be attached. Careful ... trick question.
It is Hitchings.Link Removed his website.The Chandler book is good for visualizing. A good photo essay is better, I think. There's Matthew DownUnder's work, with which we're all so luckily familiar, but there's also that British guy. Hoskins? Hitchens? Higgins? Something "H". Anyone got the link? The link used to be at Bob G's page, and probably still is...
Skilled luthiers use what ever works best for them. Some are very simple, and some are very complicated. Even though there are only two basic styles (inside and outside) in general use, many variations of each are being used daily in shops around the world.Skilled luthiers seem to use minimal moulds that are uncomplicated.
Skilled luthiers use what ever works best for them. Some are very simple, and some are very complicated.