*insert animated gif of some popular celebrity from the 80's eating popcorn*
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History? What 'history'? Who would pay $200 for a bass that would get you laughed out of any jam you took it to? It's not even worth $10 for parts.
Oh, come on. If it plays well and sounds good, then it's a serviceable bass regardless of whether it's a fake or not.
The neck alone is worth more than the $10 you mention. If you parted it out you'd find buyers for body and neck, and perhaps make close to $100 from them.
And no one laughs at instruments you bring to a jam, unless it's a washtub bass and you want to play prog rock with it.
it could be that at least parts of that bass are authentic, and it's just a frankenstein. (Like maybe the neckplate? The bolts are wrong, but he added those in himself.)
You're making a heck of a lot of assumptions here - Does it play well, sound good? Who knows? Probably not. The OP said it needs (at least) a setup. I've never seen a worse looking bridge design on a bass. A Jazz body routed for one pickup? If you're handy with a router, it might be the best $10 you'll ever spend. How straight is the neck? Is there even a truss rod in it? Are any of the other parts any good? If it was a nice looking parts bass, I'd say you might be right that it could be a usable instrument. But based on the fact that this bass looks crummy, I can only assume it also sounds crummy. The Helen Keller Signature Jazz.Oh, come on. If it plays well and sounds good, then it's a serviceable bass regardless of whether it's a fake or not.
The neck alone is worth more than the $10 you mention. If you parted it out you'd find buyers for body and neck, and perhaps make close to $100 from them.
Brilliant!...But based on the fact that this bass looks crummy, I can only assume it also sounds crummy...

I have a feeling this bass will be offered for sale again as a 1963 Fender.I told him what I learned from everyone who posted on this thread, but he remained somewhat skeptical