I really appreciate the help. Seems EH is my fav as well as most of yours.
I became so frusterated with these local bands coming in and trying to describe what type of sound they want to get out of theit guitar, bass, vox, snare, kick, and such. Waves Diamond bundle is very efficient software, but time consumeing, and I must say I was a bit hard pressed, with time and patience to try to meet everyones needs.
I felt like throwing in the towel.
However I am an A/E (Automation Engineer) by trade with a degree in electrical engineering and after purchasing my small clone and modding the "pop problem" I dove into basic pedal construction and design to suit my needs as bassist first, producer second. My first was a FUZZ, to test the waters. I just recently gave up on the MXR EQ to my guitarist due to the fact I purchased a Tech 21 B410 to compliment my LM300. I only use one effect for myself, my small clone, sparingly.
Here are what floor pedals I have used in my studio with numerous mic's and preamps.
Vintage A/DA Flanger (No LED)
Marshall ED-1 Compressor
Boss NS-2
Boss GE-7
Boss TU-2
BDDI (Sold) but have LM-300 (Every bassist wants to play through it)
Small Clone
Small Stone (Guitar only)
Home Made Fuzz (Gave away to guitarist)
Home Made LPB (Traded to guitarist for floor board)
Home Made Tremolo (Gave away)
MXR 10 band EQ (Mostly live for room ambiance, guitarist now uses as always on effect)
Boss Digital Delay (I do not like it)
Morley Wah
Morley AB
DOD FX-62

Bass Chorus (No longer have)
Old RAT Distortion (Lost or Stolen)
If I were single without kids (3 boys) I would go rack effects.
Until they are ALL through college, Software, pedals and trial and error for live and studio applications are my only options.
Thanks all-KC