• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Double Bass Gut Strings: Are They Worth It To Try? (part I)

Status
Not open for further replies.
...As for the Great Pistoy Question:

...some more differences are becoming noticeable. First the Pistoys are not as loud as the Lyons, there is less bloom and they are strikingly more focused; particularly the D. Until I get them on a gig (have to wait until Sunday afternoon), I really won't know if I like them better or not but they are definitely different. They are also a little stiffer. Despite the greater focus, these things are still gut strings and don't sound anything like steel.

At this point (and remember, I'm only a couple of hours in on these babies), I'm really liking the D but I'm not sure about the G. On the one hand, I kind of miss the bloom on the G. On the other, this is a little closer to that tight Scott LaFaro sound that I covet. The Pistoy D seems to match the sound of the A and E better than the Lyon and it actually would match the Lyon G really well if I still had the Lyon G on ... The Pistoys also seem to be easier to intonate.

thanks Mark. looking forward to your progris reports.

i've had Lyon mediums on for nearly 10 months now. very mellowed now. new Lyon G and D mediums changed as they broke in over the first weeks. a bit twacky and thuddy at first, especially the D. i'd imagine the Pistoys will go through the same settling in. in contrast to what you say about Pistoys, the Lyons were not what I would have described as "focused". i love their sound now, but it's a world away from say Spirocores.

btw, are those Pistoy lights or mediums you've got there?

also, i had a discussion with Dan Larson comparing the Pistoys and Lyons, and he said the Pistoys were less mid-range, more fundamental. does that match up with your impressions?

cheers, Bill
 
I just put the Pistoy D on and it struck me as a bit different than the Lyon. It is MUCH more defined than the Lyon with less bloom around the note. First impressions are I'm really liking it.

mark


This is bad. Really bad :( Bob, are you going to sell those pistoys soon? :D

Marcus, I'm glad to hear you're finally going to join us in hell... I'm expecting some gut-action around here in a near future!
 
btw, are those Pistoy lights or mediums you've got there?

also, i had a discussion with Dan Larson comparing the Pistoys and Lyons, and he said the Pistoys were less mid-range, more fundamental. does that match up with your impressions?

I have a medium G and light D just like with the Lyons.

My impressions are the Pistoys have MORE mid range right now but they are brand new so it's hard to tell where they'll be in a week or two. He's probably referring to the "bloom" around the note--there is definitely less bloom around notes with the Pistoys (anyone who plays on gut strings should know what I mean by "bloom"). The bloom is primarily mid range information (which gets mostly masked when playing with other instruments--which is why you hear the fundamental so well). The Pistoys, while still sounding like gut strings, have a somewhat simpler more direct sound. When you listen to Scott LaFaro from the Evans' At the Vanguard albums, he is clearly using gut strings but they are very direct sounding compared to other guys of that era such as Paul Chambers; each note is more defined and has little less of the gut poofiness (for lack of a better word). So far it's a little easier to get closer to that LaFaro sound with the Pistoys. Since I totally COVET LaFaro's sound and would give up ANY pretense of originality in a HEARTBEAT if I could sound like him, this might be a promising development. First gig with these babies is tomorrow so that will be the real test.

The other observation is that the Pistoy D is a more useable for melodic playing. Some folks have said that their D got muddy above 5th position. I didn't have that problem with the Lyon D. It was useable all the way up the neck into high thumb position for me but the timbre of the string was different enough from the other strings (read: a little darker and thumpier) that if I were playing a melody, I'd preferentially use the G string wherever possible. The Pistoy D's timbre sounds much more like the G so I can play melodies pretty much like I would with steel strings; across all of the strings instead of up and down the G. Again, that's with just hours of playing on the strings. I don't know how it will shake out in the coming weeks. The Lyon D, though, started very thumpy and thinned out substantially as the string stretched out and the Pistoy D started sounding great out of the package.

More later...

mark
 
Cool bunch we have here.

No kidding. In addition to an act of kindness by one member I that I sort of promised not to mention any specifics of, I've been sent stuff to try by several people just for the sake of the brotherhood. On one occasion, Adrian Juras sent me a Dominant D, which was my first taste of that string. I still use three Dominants on my main bass because of Adrian's thoughtfulness.

Enjoy your descent into string heaven/hell. In a few months you and TROIKA will be sitting in a SA meeting having a laugh about this as you compare keychains.
 
The Lyon D, though, started very thumpy and thinned out substantially as the string stretched out and the Pistoy D started sounding great out of the package.

More later...

mark

Maybe you have already told us, but is there any difference in tension/flexibilitiy between Lyon and Pistoy?



Darn, now I really want to try a Pistoy D... Bob? Can you hear me? :D
 
Maybe you have already told us, but is there any difference in tension/flexibilitiy between Lyon and Pistoy?

:D

I DIDN'T tell you and I should have. Pistoys feel stiffer and less flexible than Lyons. They aren't any harder to play than Lyons though so the tension probably isn't that much different if at all. They respond faster and require less motion to get them going. In many ways, comparing Pistoys to Lyons are like comparing Dominants to Mittels. Stiffer, less motion to get going, slightly different sound characteristics.

The only impediment that I've found so far, and it is minor one that requires a mere modest adjustment of left hand technique, is their surface is not smooth like Lyons so it is a little harder to slide up and down the neck on them without sticking.

BIG CAVEAT: My first gig with these things is in about 2 and half hours so EVERYTHING I've said over the past couple of days may change drastically. I'll report back tonight.

mark
 
I DIDN'T tell you and I should have. Pistoys feel stiffer and less flexible than Lyons. They aren't any harder to play than Lyons though so the tension probably isn't that much different if at all. They respond faster and require less motion to get them going. In many ways, comparing Pistoys to Lyons are like comparing Dominants to Mittels. Stiffer, less motion to get going, slightly different sound characteristics.

The only impediment that I've found so far, and it is minor one that requires a mere modest adjustment of left hand technique, is their surface is not smooth like Lyons so it is a little harder to slide up and down the neck on them without sticking.

BIG CAVEAT: My first gig with these things is in about 2 and half hours so EVERYTHING I've said over the past couple of days may change drastically. I'll report back tonight.

mark

I haven't read it in a while, but in the Gamut Guts thread, I think that someone spoke to Dan Larson about the differences between the two. If I remember this right, the person who asked Dan was told that Pistoy was more flexible and that he recommended Lyon for jazz pizz because of the stiffness. I could remember it all wrong. Does this ring a bell for someone?

The qualities you are describing sounds absolutely amazing for a gut D, making me frustrated that my wallet is so thin at the moment :p Maybe the new trend will be Pistoy D, Lyon G...

Man, this is so exciting. I'm looking forward to your post-gig report! Good luck!
 
Kevin Hseih For President Too

Well, color me flabbergasted..... I got a PM this morning from Kevin Hseih. He has a set of wrapped E & A guts that he is sending me as a gift, to complete the package initiated by Mark with the G & D. I'm just dumbfounded, and humbled by all of this ....
Damn Right ..... I would hang a chad for Kevin anytime .... He's a Good Kid and can really play some bass :D !!
.... "The Green End of a Reasonable Scam". :hiding: ....
I like really like that phrase Mister PC .... You know some Good Stuff. That one really tickles me. I've been scammed by Good Guts myself. Trust Me ..... I have paid plenty-o-green on two plywood-basses-worth of strings ..... And I have no regrets :D .
This is bad. Really bad :( Bob, are you going to sell those pistoys soon? :D ....
Well Andreas ..... I just might .... Only If ...... That Damn Jake would send all the "dead" parts offen my Epiphone and Kay basses back to me real-soon :D . I'm definitely keeping the Pistoys G & D and Anima A & E on the Epi but since the Kay is going to Innov Honeys ..... I might have to sell the Pistoys G/D/A from the Kay to buy grocerys next month. However .... Remember Andreas ..... I will be ignoring any PM's from you ;) .

AND ..... To Sir Calivox :) ..... Your writings about the lyons vs. pistoys are so elegant and right-on that I believe your String Memoirs should be placed in The Library Of Congress for future bass-players :p .... Along with your Best Jokes. All I Got To Say Is ....... "Bloom" is over-rated on guts when the second choice is "Intonation". That's why I like Pistoys so-far.
 
Well Andreas ..... I just might .... Only If ...... That Damn Jake would send all the "dead" parts offen my Epiphone and Kay basses back to me real-soon :D . I'm definitely keeping the Pistoys G & D and Anima A & E on the Epi but since the Kay is going to Innov Honeys ..... I might have to sell the Pistoys G/D/A from the Kay to buy grocerys next month. However .... Remember Andreas ..... I will be ignoring any PM's from you ;) .

Right. So let's forget about that and I'll buy your D-string :D C'mon! Just one string won't hurt me... :p
 
Right. So let's forget about that and I'll buy your D-string :D C'mon! Just one string won't hurt me... :p
Maybe Pal .... Does that "Swedish moonshine, meatballs, and lingonberry jam" barter-offer still stand :D ? You really need to correct that "just one string won't hurt me" Delusion though ..... It will lead you into Hell. In Montana we have an Ad Campaign. "Meth .... Not Even Once".
 
Maybe Pal .... Does that "Swedish moonshine, meatballs, and lingonberry jam" barter-offer still stand :D ? You really need to correct that "just one string won't hurt me" Delusion though ..... It will lead you into Hell. In Montana we have an Ad Campaign. "Meth .... Not Even Once".

Sure thing Bob! If you wait a coulpe of months I can even get you a jar of genuine homemade lingonberry jam directly from the Swedish woods :D Lead me into Hell? I passed Hell long ago so there's no turning back for me. And if that ".... Not Even Once" ad goes for gut, where a bunch of junkies all of us (like that's something new :p)
 
Link Removed

i figured i upload a recording that i just did last week. after experimenting with around 5 or 6 different types and gauges of strings and a quick soundpost tweak the week before, i've finally been able to get a recorded bass sound that i'm actually happy with. Unknown guts and Velvet Garbos

the track is "Triplin Awhile" a great blues by Harold Land.

check it out
 
Status
Not open for further replies.