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Guyatone 24.5" Super short scale Eb1 bass

I picked this up recently, its got a fair bow in the neck but haven't gotten around to seeing if the truss rod works but the finish is cool and electronics work so I will try get it going, it may just be more of a looker instead of a player in that it has a shorter scale than a Les Paul! Anyone had one of these or played around with super short scale basses?
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I bought a Super Short Kingston the other day, and I'm in the same boat as you.
It looks better than the pic, but the pots are crappy.

I'm wondering what to do with it, do I make it a player by throwing $$$ at it,
or just hang it on the wall in my grandson's room?

What did you decide?

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I manage a couple of threads here that might be of interest to some of you:

- Sub short basses - lots of dialog on solid body electric guitar scale basses

- Guitar scale acoustic basses - lots of dialog on acoustic guitar scale basses

Defining guitar scale as 24 to 26. There are a still a couple of 25ish inch scale new electric basses out there.

Tons of fun.
 
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It looks interesting, but the 28,6" scale length of an Ibanez Mikro bass is just perfect for me, and at the same time also about as low as I am willing to go for a bass.

Anything below about 28" scale length on a bass and my best bet is that both playability and tone would begin to suffer seriously.

If I were you I'd turn it into a 4 string tenor guitar tuned something like for instance CGDA, as in C 2 steps bellow the low E string on a guitar, just like the 4 string 26" scale Eastwood Warren Ellis Tenor Baritone is meant to be tuned, or perhaps A-D-G-C, like the 4 lightest strings of a 6 string bass.
 
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I agree that the Mikro 28.6 is a nice comfortable scale, too. But - I would recommend you play a 25ish inch scale before passing judgement on playability and tone. I have spent a great deal of time in that segment, and my experience does not match that statement at all.
 
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I agree that the Mikro 28.6 is a nice comfortable scale, too. But - I would recommend you play a 25ish inch scale before passing judgement on playability and tone. I have spent a great deal of time in that segment, and my experience does not match that statement at all.

Well, I guess everyone got different preferences, for some even a standard short scale bass with a 30" scale length is way too short.

As an example though I ideally would use strings with a thinner gauge on my Mikro, something like as little as the sets with a just .095 gauge low E string, but in order for the strings not to buzz at the string action I prefer, as well as not negatively influence the playability by being too floppy, I have to make a compromise and use a gauge .105 low E string set.

I still rather do that than it affecting my ability to play properly and forcing me to raise the action of the strings, as well as I also rather will have the benefit of the Mikro's short 28,7" scale which seems to be just the perfect size for me for a bass, than getting a bass with a longer scale just to be able to use strings that have my preferred thin gauge.

I really wouldn't to have to use strings with an even thicker gauge though, a .105 low E string is about as thick as I will go, and alone for that reason I know that a bass with any less than about 28" scale lenght wouldn't be for me, no matter if it actually sounded alright, as you say it does, since I would then have the choice between either using a string gauge that exceeds my personal limit for string thickness or live with the floppyness affecting my ability to play properly.

Finally to me such a short scale would also feel a bit too cramped to play on.

But lucky for you that you don't have any of those issue so you can actually get some proper use of this new tiny bass.

Congratulations with your new tiny bass beast.
 
Any and all long-scale 5-string (BEADG) bassists, unless they only use the B as a thumb rest or never venture past the 4th fret, are also ultrashort-scale 5-string (EADGC) bassists, even if they're not aware of the fact.
Once you play a low E at a 25.5" distance from the bridge (which the 5th fret of a 34" scale bass is), it doesn't matter if there is more string beyond that point: the same pros (easier reach, less distance between frets) and cons (a narrow window of usable string gauges between a wobbly pitch envelope at all but the lightest attacks, and a chorusy i.e. inharmonically rich tone) apply.

[The only potential difference I can envision is, a long-scale low B fretted at the 5th might behave marginally better than an open 25.5" scale low E with the same gauge, regarding the pitch envelope at the attack (in practice, go less sharp), because a longer total length of string (the entire length, in both cases) stretches at plucking in the first case.]

@Rainus, @ejaggers - If it's not too expensive to grab a hold of, give this set a try:
MicroBass LaBella Flat Wound Strings | Gold Tone Folk Instruments
^ The Gold Tone/La Bella MBLS: basically a short version of the La Bella Deep Talkin Bass 760FM flatwound set, made for the Gold Tone MicroBass.
 
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