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Head & Cab recommendations

It's difficult to pin down the best option for you, but although I keep a GK MB800 Fusion in my truck as a backup, my gigging rig is most likely to include a Class D Mesa head with one of several cabs. For general purposes, usually a Mesa 215 although that's normally overkill. For R&B, Blues, old-school Country and the like, I'll use one or two Barefaced Two10S's, but I'd recommend you consider a used cab to fit within budget.

Lotsa brands for both components, and tastes will vary. I want 1. Reliability b. Versatility and 3. Ease of use in addition to features.
 
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If cleanish sounds are your preference, I'd say Genzler is a great choice. You mentioned Aguilar and I see them get a lot of love here, but my impression is that they have a darker tone that you might have to work around. Based on my experience with my Genzler Magellan 350, I'd say that a Genzler would offer a better clean/transparent option. One thing I like about the Genzler heads is the two different filter options. I never use the scooped option (A), but I do like the vintage option (B), which rolls off the highest treble and the lowest lows but with a light low mid bump. So you have both of those choices and you can also turn it fully counter clockwise so it's not in effect. The Magellan amps also have a 3-band EQ with a sweepable mid frequency, which I think is a very useful feature. If you get the Magellan 800, you also get a second overdrive channel for more options, but that is a little over $1000 new and might strain your budget.

Mesa amps are great as well. I've owned a D800 and replaced it with a D800+, which I prefer and has been my main gigging amp for a few years now. I make use of the sweepable high mids and low mids and especially the variable HPF. But that would be even more expensive than the D800, which is also an excellent amp. Either of those should suit you well, but your question makes me think the Genzler might be a better fit for you unless you have the budget for the D800+ (I can HIGHLY recommend the D800+!). I suspect the D350 is equally excellent based on my experience with other Mesa amps, on reports I've read here on TB, and on Mesa's excellent reputation, but I've never used one myself.

For cabinets, I'd say any Mesa Subway cabinet would be an outstanding choice, such as the 12 or the 210. But they could push you over the $2000 budget with a 800W Genzler or Mesa head. I've never used a Genzler cabinet but, if you like the idea of a matching head and cab, a Genzler Nu Classic 210T or 212T (only $100 more) seem like excellent choices. As I said, I've never played through a Genzler cabinet, but Genzler's reputation is outstanding and that series could help you stay within your budget while getting outstanding gear.

Thank you for the very thoughtful reply and for your careful consideration of my OP :thumbsup::bassist:
 
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The Mesa 112 is good too - smaller size makes for slightly easier maneuvering.

Weight of the 115 is actually not as bad as it sounds because it seems well balanced - and it is only in the low 30s.

You can also find a Mesa 112 on the second hand market more frequently than a 115, I think Guitar Center has 3-4 of them on their used site for well under $1k right now.
 
I'm looking to buy a new head and cab. I've been looking used for a while and had a few deals fall through, so I'm back to square one and I might as well seek some feedback / recommendations here.

My usual stage is DI-only, but I want something more than capable of playing a medium sized room or a rehearsal space with drums.

I will probably buy new for warranty purposes and to make sure I'm covered in the event of needing to make a return.

I will probably get a matched head and cab.

What I believe my requirements are:
  • Solid state head making at least 300W, probably 500W or more
  • I want an 'everything' solution so it needs to have DI Out, Aux In and Headphone Out.
  • The head should be operable without a cab attached
  • I prefer it have a mid frequency control or a multiband EQ (not just one mid knob or low mid/high mid knob)
  • I don't have strong preferences in speaker sizes, but would want a cab that around 50lbs at most
  • Clean/Clean-ish tones are most important
  • Would like some versatility in the sound so, not strictly vintage or strictly modern
  • Budget for the head and cab combined would be a maximum of around $2k.
  • Generally I'd go for sound quality and features over power.
What is there out there that TBers would recommend that meets these specs?

Roughly speaking there are offerings across the spectrum from Fender, Genzler, and a few others I'm seeing but I wanted to ask the collective wisdom of TB.

Thank you!
I'd really recommend that you go with a 210 cab and preferably an 800-watt amp, but a 500-watt amp will certainly do for medium-sized venues. Bear in mind that when we're talking 500-watt or 800-watt amps, those are typically into a 4Ω load. Two 8Ω cabs is a 4Ω load with the standard industry connection, which is a parllel connection. Generally, you are going to get about half that power or a bit more into a single 8Ω cab and believe me, you don't want to get a single 4Ω cab if there's even a chance you'll want/need to run a second cab with it. So you're looking at ~250-watts rms or so from a 500-watt into 4Ω amp and 400-watts rms from an 800-watt amp. Both of those will give you enough power with a decent 210 cab to fill medium-sized venues.

I had purchased a DNS-410 cab (handles 1,400-watts rms) back in 2015 thinking I'd never need to buy another cab because even at outdoor music festivals I'd get told to turn down using it with an 800-watt amp. Best sounding cab I've ever heard and it gets very loud very quickly. Then I found out I couldn't use it at most brewpubs here in Washington state. it scared the club owners when they saw me wheel it in and I'd typically have to use their little 112 combo. In 2019, when I got my DNA Endorsement, I bought the DNS-210 (handles 700-watts rms) because nobody looks cross-eyed at a bass player bringing in a 210 cab. It sounds just like my 410 but in a smaller form and actually goes 3Hz lower (34Hz) than my 410 (37Hz). I should have bought the 210 first and then bought a second one when I needed it.

So I'm one of those "buy a 210 now and a second one when you need it" guys. I did it backwards myself. Bad news is that DNA closed their doors in January of 2023 due to lack of parts availability. I bought a DNA-800 amp through my artist rep in April of 2021, but the factory didn't have any complete amps - they were waiting on parts. David Nordschow himself however said he had enough parts on hand to build one for me if I could wait a couple of weeks for it. I did and he built one and sent it to me in early May. That's my main amp now.

One caveat about buying an 800-watt amp and any cab. Make sure the cab you buy can handle at least 400 to 450-watts rms - make sure you are looking at the rms rating! Otherwise if you crank the amp up too high, you can blow the speakers. You can safely run a cab with a lower rating than your amp if you're careful, but much safer to use a cab rated with higher handling power than the amp will deliver to it maxed out. I ran my DNS-210, which handles 700-watts rms with my Eden WT500/800 that bridges at 800-watts rms into 8Ω for years with no problem, but I wasn't putting anywhere near 700-watts into it. It's a loud enough cab that I used it for large indoor venues, but it got painfully loud when I had my master turned up to 10:15 using my big Eden amp on a narrow stage.

Also, back in the 60's and 70's I've blown speakers, so I listen closely to my sound for any indication of stress on them and I don't use distortion. If you use distortion in your sound, it's all but impossible to hear when the speakers get stressed, whereas with a clean tone, you have a chance of hearing it and backing off the Bass EQ or the Master to relieve the problem before the speakers are blown (don't wait for the end of the song!).

Although they are no longer in production, you will find some DNA gear used from time to time. Just as a benchmark, if you find them, the last street price on the DNS-410 was $1,149, the DNS-210 was $869, and the DNA-800 amp was $799. That DNA-800 has a built in compressor with adjustable Threshold and Ratio, weighs all of 4.8-lbs, and delivers 800-watts rms into 4Ω and "almost full power into 2Ω" (from the manual). However, that amp does not have a headphone out, so it doesn't tick that box. Used prices on DNA gear is normally less than new, but not often by a lot.
 
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I'm looking to buy a new head and cab. I've been looking used for a while and had a few deals fall through, so I'm back to square one and I might as well seek some feedback / recommendations here.

My usual stage is DI-only, but I want something more than capable of playing a medium sized room or a rehearsal space with drums.

I will probably buy new for warranty purposes and to make sure I'm covered in the event of needing to make a return.

I will probably get a matched head and cab.

What I believe my requirements are:
  • Solid state head making at least 300W, probably 500W or more
  • I want an 'everything' solution so it needs to have DI Out, Aux In and Headphone Out.
  • The head should be operable without a cab attached
  • I prefer it have a mid frequency control or a multiband EQ (not just one mid knob or low mid/high mid knob)
  • I don't have strong preferences in speaker sizes, but would want a cab that around 50lbs at most
  • Clean/Clean-ish tones are most important
  • Would like some versatility in the sound so, not strictly vintage or strictly modern
  • Budget for the head and cab combined would be a maximum of around $2k.
  • Generally I'd go for sound quality and features over power.
What is there out there that TBers would recommend that meets these specs?

Roughly speaking there are offerings across the spectrum from Fender, Genzler, and a few others I'm seeing but I wanted to ask the collective wisdom of TB.

Thank you!

Mesa Subway series. I have a WD-800, that has all of your requirements plus a HPF 3 band parametric mid range EQ, amp dampening, tuner out, headphone out, a USB charging port, and can operate down to 2 ohms. Their cabs are highly rated and will mix well with that head.

And you have some online support here on talkbass by the guy that designed it and a lot of other amps mentioned here.

Best wishes.
 
Slightly contrary to what others have said, but since a lot of your gigs are DI only, why not go for a really nice preamp/DI pedal, a power amp and cab, you could add a headphone amp pedal for relatively little and have a flexible modular system, then when you're not using the amp and cab you still have a great DI.

I went for an Arkham oracle, GSS Twin Sumo power amp and Barefaced cab, I've since started running it as a stereo setup by adding a sushi box fx setup to the other side.
Headphones output is handled by an IR speaker pedal that has a headphone out, I don't really need the aux in but I'm sure that would be easy enough to do as well.
 
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Slightly contrary to what others have said, but since a lot of your gigs are DI only, why not go for a really nice preamp/DI pedal, a power amp and cab, you could add a headphone amp pedal for relatively little and have a flexible modular system, then when you're not using the amp and cab you still have a great DI.

I went for an Arkham oracle, GSS Twin Sumo power amp and Barefaced cab, I've since started running it as a stereo setup by adding a sushi box fx setup to the other side.
Headphones output is handled by an IR speaker pedal that has a headphone out, I don't really need the aux in but I'm sure that would be easy enough to do as well.

The Mesa heads can be run without a cab. Unless you need a pedal format, just use one as a really large pedal.
 
I am now using a Mesa D800+ with a 1-15 Subway cab that I bought on TB classified for $1400. I still run the DI out to FOH and IEM for the rest of the band to hear me in the mix. The head weighs 6LBS and the cab is 38lbs. I had not played a Mesa before and didn't try it when I picked it up, I went by their reputation. My Hartke and Ampeg are now for backup and practice. I love it!
 
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My needs are similar to yours, other than the headphone out. I have two head recommendations, both of which I've owned and would not hesitate to recommend for your purposes. Mesa Subway D800 (or a + if budget allows), or a Genzler Magellan 800. Both are excellent and either would meet your needs very well. Both are often available used here in TB classifieds, and I would not hesitate to buy either one. The Genzler is perhaps a bit more versatile with the drive and contour controls, both of which are very useful, but the Mesa is also a very solid choice. There's a D800+ in the classifieds now, and Magellans are often available. Both are easy to resell if for some reason you don't like them.

Cabs - as you noted, hard to find decent ones to try, so again I'd stick with known quantities. For ease of load in and versatility, I use (and recommend) a pair of 112 cabinets. Personally, I own RevSound cabs, which I love but they seldom come up for sale used. Each 112 cab weighs 21 lbs and for most all gigs that I do, one cabinet is enough. If you bought them new, they'd run you about 700 each with cover and shipping. A RevSound 210 would more than do the job also. Once in a while a 210 or a 112 will pop up in the TB classifieds, but not often.

Other option would be a pair of Mesa Subway cabs, but they cost alot and might bust your budget even if found used.

One option would be a good amp and a single cab, adding a second as funds and need allow. I have found that for my purposes, a single 112 and a good amp, with modest PA support, will cover 99% of what I do (fairly loud 4 pc band w/ 2 guitars and loud drummer). TwO always sounds better, but usually not needed.
 
If I were you (and I’m clearly not), I would watch as many amp reviews on YouTube as possible. When I joined the band I’m in now, about 3 years ago, I had an old Acoustic B200. Nothing wrong with it, and someone is still using it. Plenty loud for the band I had used it in, and we played some heavy tunes.

But I’m getting older and wanted a lightweight setup. Looked pretty hard at the Elf. Then I heard about the Orange TerrorBass 500. I didn’t know it was the sound I was looking for until I began watching the aforementioned YouTube videos. Andertons did a pretty in-depth review of it, and that sold me. I haven’t looked back. I also bought 2 OBC-112 cabs.

This may not be the setup for you. I never play completely clean, and when I go direct at church I use a Sushi Box London Underground, which is an Orange emulator.

IOW, if you can’t play everything that interests you, YouTube is a pretty good resource.
 
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