There are shapes I prefer to others for sure but it's not as douche chill inducing to me as naming basses or truck nuts.
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Ricks like the 4001 or 4003 are for me by far the most beautiful bass but I will probably never own one as I can't justify the dough. Might have to do with my formative years growing up as a Yes, Rush and other proggies fanI like Rickenbacker headstocks so I probably shouldn't be allowed an opinion
Yes - it's not a bias, it's a preference, but I prefer 4 in line, and intensely dislike the G&L monstrosity. I also dislike the Jackson pointy 80s pukefest. I do however like the Tbird headstock, and also the Gibson/Epi 2+2, though tuning it feels alien to me.I have a completely baseless, nonsensical, and unfair bias against the G&L headstock shape. Several other non-Fender or non-2+2 headstock shapes suffer from a similarly superficial encumbrance to a full embrace in my admittedly flawed estimation. I once felt the same way about the Ernie Ball Music Man 3+1 thing but that has slowly evolved through the acceptable and into the desired category because my bias does not seem to hold up to multiple encounters with fine instruments.
Is this a common neurosis? Yes, yes, I know - we should all be focused only on such pure musical elements as tone and feel, but I find myself after all a bit priggish about these matters.
