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Help me choose wood for my bass.

Hi.

I am in the process of ordering my first ever fully custom bass and have gotten stuck in choosing the wood for the bass.
The bass I am looking at would be a 24 fret fender jazz style bass with a neck through construction.
Visually I really like the look of darker woods and have recently started liking the Wenge/Bubinga laminated necks, and as far as I have been able to discern this would be a good starting point for a well defined full range tone. I am also thinking of ebony as the fretboard, and this is where I get stuck.
I don't know enough about tone-woods to be able to figure out what I should use for the body wings and the top. Visually I like the look of wenge as a top and maybe even a bottom wood. For the core of the body I really start to struggle. I have seen some Ibanez basses that use roughly the same configuration that use mahogany as the main body wood which really looks nice and might be an alternative.

Does any one have enough experience with tone woods to give me an explanation of how this would all work out? And maybe give me some pointers if I am doing something totally wrong in choosing woods that will make the bass sound odd or something else.

Sound wise I am looking for something with even tone over the whole register, clarity is important to me since I play a lot of chords, but also punch and growl since I mostly play harder styles of music with a bit of distortion. I am thinking of going with two single coil pickups and a three band Noll preamp with sweepable mids which should provide some amount of flexibility to the instrument.

At the moment I am playing an Esh bass with a swamp-ash body, maple neck and rosewood fingerboard, I do like the over all tone of this bass, but I have been struck with a bit of GAS and want to experiment in different directions. My current bass is a bit lacking in the mids which forces me to use a bit of EQ to cut through the mix.

I have already visited all music stores within reasonable distances from my home to try and learn more about different woods, but most instruments they had in stock were made from alder or ash with the occasional exception. I did however not learn much about the different tones of the woods since all the bases I tried were of different makes and models with different pickups and electronics, so it was very hard to get a feel for what was wood tone and what was electronics. I tried to listen to them acoustically as well which was quite difficult because of all the ambient noises from other people in the stores.

Thankful for all the help I can get.
 
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If weight is a factor go with KOA
The bass with the best sustain is my Mohagany
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Mohagany
 
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I think the ultimate body wood as far as tone is bubinga. Its downfall is its very heavy in comparison to say Ash which still sounds pretty good with out the weight. Mahogany is still questionable to me. Played a few basses where it sounded great, others that didn't sound bad but just, well how do i describe this..... I guess is say the ones i didn't like lacked midrange character
 
I have 2 custom basses that are exactly the same except for body, neck wood (not FB) and top woods. Same fretboards, scale, spacing, hardware, pickups, electronics, body shape, etc.

One has a mahogany body, ebony board and maple neck (walnut top) and the other has an alder body, ebony board and red oak neck (mango top).

Both sound great but the alder offers a bit more clarity than the mahogany. The ebony board adds brightness, but for chords and slap, the alder bass sounds better. Slightly, but better.

Bodies like maple and walnut might get you to where you want to go, but both are generally heavy as hell.

Lastly, don't discount swamp ash with a maple board. I am currently having a Jazz-style bass built with a swamp ash body, BEM board with maple neck, and Nord Big Singles with the 3 band Nord pre. It will sound killer and likely hit your requirements as well.

Lots of options IMO to get you where you want to go.
 
Thank you all for your input.

Weight is as far as I know not too big of an issue, although balance is.
Thank you for the link to warmoth, it does clarify some aspects of tonewoods, but falls short when I start thinking of different combinations of woods and how they interact with each other. I guess that the thing I am struggling the most with is the midrange aspect since all woods seem to be rated on bright/warmth which makes it hard to really get a feel for how the over all sound will be shaped when combining different things. As for how top and bottom woods change the tone.

I have played on a couple of ash basses with maple neck and fingerboard and found them to be great sounding, although I have never owned one or had the chance to familiarise myself with it for more than a few hours. I have however lately started looking a bit more towards the darker woods and a bit more natural finish.

Walnut seems like a strong candidate, as does bubinga so far.

While I am asking away I might as well ask you guys for tips on luthiers that do custom work with out breaking the bank too much. I would probably set my limit some where around 5000usd but my budget can be stretched a bit if needed. The one I have been thinking of using for this project would be Maruszczyk, but it would never hurt to have alternatives to turn. (I live in Sweden by the way)
 
Butternut...body..quilted or curly maple top. Wenge neck with the ebony board..
Or try a Paudauk top and fretboard.. From you described those combinations should work nicely..
 
Thank you all for your input.
While I am asking away I might as well ask you guys for tips on luthiers that do custom work with out breaking the bank too much. I would probably set my limit some where around 5000usd but my budget can be stretched a bit if needed. The one I have been thinking of using for this project would be Maruszczyk, but it would never hurt to have alternatives to turn. (I live in Sweden by the way)

I would look at Stambaugh and Cliff Bordwell for inexpensive customs. Valenti for Jazz style as Nino is very easy to work and will accommodate most option requests.
 
Thank you once again for your help. I found another company called Wyn (I'm guessing that you have probably heard of Randall and his basses) that seem to have quite nice prices and also seem to make really cool basses. I just sent him an email with an enquiry and am hoping that he has time to build me a bass that will last me for a good number of years. I also just came home from a longer trip to the biggest music store in the country (Sweden) and played around with a bunch of different basses and kind of fell for the sound of a warwick corvette witha wenge neck and fingerboard and a dark stained ash body, so I guess that I have found a good starting point for discussions with a luthier.

Thank you all again for your help.
 
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Wyn basses are amazing at any price.

The fact that the current prices for new basses are so low (relative to many high end boutiques that use similar woods, construction techniques and components), he should be near the top of many bassist's list looking for a boutiquey custom IMO.

I have only played one, but I haven't heard anything other than positive feedback from Wyn owners.
 
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