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Help me find some new jazz

Anybody bring up Soften The Glare yet?


I mentioned that I like "different" sorts of jazz like this. So much of what I've heard sounds super dated, and STG at least tries to sound a little modern. I won't hide my jealousy of Martinie either. The dude is a phenomenal bass player but is also shredded. I need to find out his workout routine.

I was hoping to find something more aggressive but it really seems like where "jazz" ends and tech death metal begins is in aggression. The moment you drop the 70s tones and add distortion, you either get Prog or technical death metal.
 
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I mentioned that I like "different" sorts of jazz like this. So much of what I've heard sounds super dated, and STG at least tries to sound a little modern. I won't hide my jealousy of Martinie either. The dude is a phenomenal bass player but is also shredded. I need to find out his workout routine.

I was hoping to find something more aggressive but it really seems like where "jazz" ends and tech death metal begins is in aggression. The moment you drop the 70s tones and add distortion, you either get Prog or technical death metal.

yes...I noticed that a lot of people were bringing up "jazz" in general. I'm glad this one worked. I also think that some of Esperanza's electric work would fit into what you are looking for. (...and, from what I hear, Herbie Hancock's new record will also be genre-expanding).

Funny...my wife and I were just talking about this. OK..I was talking about this and my wife was putting up with me...but I was talking about the jazz/metal boundary and how very few people are willing to talk about it.
 
yes...I noticed that a lot of people were bringing up "jazz" in general. I'm glad this one worked. I also think that some of Esperanza's electric work would fit into what you are looking for. (...and, from what I hear, Herbie Hancock's new record will also be genre-expanding).

Funny...my wife and I were just talking about this. OK..I was talking about this and my wife was putting up with me...but I was talking about the jazz/metal boundary and how very few people are willing to talk about it.
It is a very thin line. Same with Blues. Metal would have no beginning without the Blues and the minor pentatonic scale. A lot of the very complex metal around today is jazz if it smoked meth and roided out. Metal musicians know this, but I think some jazz guys think they are too above metal.
My difficulty is I am addicted to distortion and the rush. I want to find some other stuff to listen to, but it is hard to drive at 20mph when you are used to doing 80mph all the time. So much music seems very stuck on the sounds and styles of the 70s, metal included. With jazz and prog the moment I hear a Rhodes or sax I think of wood paneling and shag carpet.
 
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It is a very thin line. Same with Blues. Metal would have no beginning without the Blues and the minor pentatonic scale. A lot of the very complex metal around today is jazz if it smoked meth and roided out. Metal musicians know this, but I think some jazz guys think they are too above metal.
My difficulty is I am addicted to distortion and the rush. I want to find some other stuff to listen to, but it is hard to drive at 20mph when you are used to doing 80mph all the time. So much music seems very stuck on the sounds and styles of the 70s, metal included. With jazz and prog the moment I hear a Rhodes or sax I think of wood paneling and shag carpet.
 
So far the most compelling stuff I've been suggested is Snarky Puppy. It has a modern feel and I like the orchestral aspects of their sound. Trio or quartets can get tiresome.
One of my friends suggested this. It's jazz-ish. I don't think they have a release, digital or otherwise.
 
If you like "orchestral aspects"...have you considered Modern Classical?

There are also Big Bands that do Free Jazz.
I went thru this phase when I first got online.
Guaranteed to make your brain ache.

I have not grown tired of trios/quartets...especially those with bass-drums-horn(s). No chording instruments need apply.
:)
 
After taking some of the suggestions made here, this is what I've come up with:

The band that has grabbed my attention the most is Snarky Puppy. I like how large the group is, so there are a lot of different details to listen to. Sometimes a 3 or 4 piece can get a little boring sonically. I also like how they have bucked the tradition of the standard jazz song structure without going into crazy free jazz land. I'm just not a fan of long solos being the focus instead of a solid melody. Maybe that is my rock roots showing, but I like a good riff, something I can latch on to as a listener. I like virtuosity, but in limited 30 sec, 1 minute bites. Snarky Puppy takes a riff or two as the core of their songs and play around with it, but never throw it in the background while someone wanks for 3-4 minutes. Plus there is a solid use of bass and guitar. Not to mention they are all insanely good musicians.

I like the idea of BadBadNotGood, but can't get into anything except III. Much of it sounds like it is trying to be the sound track to a Quentin Tarantino movie. The music is well executed is a little bit of a one trick pony.

I enjoy Black Focus by Yussef Kamaal for the drums and the bass playing. Kareem Dayes and Tom Driessler have some great licks and terrific tones. Yussef Dayes drumming is almost super natural. I don't understand Kamaal Williams' keyboard work. It seems very ambient and unfocused.

Budos Band is an interesting take on a certain style of jazz I don't know the proper categorization for. It is fun in a NoLa jazz club sort of way. I noticed a lack of dynamics in the song writing. The songs seem to similar since they have the same tempo and tone to them.

Second Direction's Four Corners & Steps Ahead is some nice straight head, laid back jazz with some memorable parts.

I tried some Vulfpeck but found it to be a little silly for me. Something about them reminded me of They Might Be Giants.

GoGo Penguin felt like sound track music that worked well as a backdrop to something else. Like BadBadNotGood, once I have digested one of their songs, I feel like I have heard everything they have to offer.

I was hoping to find more bass focused jazz like Marcus Miller or Stanley Clarke. I will keep looking. Thanks for all the suggestions.
 
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Medeski, Martin and Wood - extremely groovy and funky, but in a quite unique and unusual way, a lot of improvisation going on, giving the songs a jam like feel, with detours every once in a while into weird free jazz or noisy ambient pieces (Medeski, Martin and Wood is probably those of my suggestions that will come closest to something you'll like, judging from your description in the OP):



Power Tools - with Bill Frisell, Melvin Gibbs and Ronald Shannon Jackson, free jazz/jazz rock/fusion group which songs often, thanks to the vibrator drenched guitar of Bill Frisell, has a strange floaty, almost ambient, quality about them (the first track on the linked YouTube list, Strange Meeting, even has quite a bit of a Film Noir vibe going on):


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And then for something straight out weird and more explicitly avantgarde:

John Zorn's Moonchild project - with Mike Patton and Trevor Dunn from Mr. Bungle, Joey Baron on drums, and from the second album in the Moonchild trilogy also John Medeski from Medeski, Martin and Wood:


Last Exit - avantgarde and free jazz super group with Sonny Sharrock, Peter Brötzmann, Ronald Shannon Jackson and Bill Laswell, full frontal attack with all of the members going berzerk on their instruments at full power:

Last Exit's album The Iron Path is slightly less chaotic, sounding a bit more organized, and even has some ambient like sections:

This is probably my favorite Last Exit track:


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Finally this Miles Davis album is great too, but you are probably already familiar with that:
 
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