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I think......you're over-thinking it. : D
This. Using diatonic (or classical) theory to try and analyze this song is a pointless venture.
Regardless, it's still grossly complicating something that's perfectly easy to understand if you don't try to grossly complicate the theory.Not really. It's pretty vanilla even compared to a lot of 19th century classical harmony. Just simple borrowing going on, that's all.
Regardless, it's still grossly complicating something that's perfectly easy to understand if you don't try to grossly complicate the theory.
Consider my mind blown! I read the text and expected a Soft Cell video. I had no idea they covered it.
Am is the complimentary minor of C,
My mind was playing tricks on me when I wrote Soft Cell in there, because I knew they covered it, but kind of like RHCP's "Higher Ground", a lot of people think it's their song.
A lot of people think Tesla wrote "Signs" as well.
I remember watching a show where Piers Morgan was talking to Joan Jett & he asked her how she was feeling when she wrote "Crimson & Clover".
There were multiple people speaking to her, so she just blanked him. Joan's biggest hits are covers, with possibly an exception of "Bad Reputation", but she was selling that on tape out of the trunk of her car.
This is a much more refreshing conversation than the usual "can I just put my finger on the 5th fret and leave it there" type of deal.
Knowledge of keys, scales, and chord structure is what separates musicians from just simply "players". I'm sure that will be considered inflammatory, but it truly makes things easier.
Coolio wrote the music to Gangster's Paradise.![]()
He might have written the lyrics, but the music was all Stevie.
I always thought it was odd that Iggy & Bowie shared China Girl.
Didn't Bowie also share Under Pressure with Queen?
Pretty sure much the same can be said of Luciano Pavarotti...Elvis Presley. The king. Over 600 songs recorded....
He never wrote one song. They were mostly covers.
That line gets a little hairyJust out of curiosity, do you think how I explained it is overly complicated:
It's in A minor with occasional borrowing of the Tonic from the parallel major.