I like what a 30 inch scale did for the Jazz bridge pickup's tone in my Mustang PJ.
The Mustang PJ sounds great.
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I like what a 30 inch scale did for the Jazz bridge pickup's tone in my Mustang PJ.
I just dont get the appeal. They are dinky and feel really cramped as well as really dificult to get to the upper frets on. Ive played on them before, just dont get it. I know a lot of people seem to like them, cant figure out why.
I used to have a Squier VM Mustang. I've been thinking about getting one of the Squier SS Jags and dropping a set of GZR pickups in it.
The idea of the Ibanez Mikro 5 appeals to me, but I can't help wondering about strings. I've never seen a 5 string set that short.
The idea of the Ibanez Mikro 5 appeals to me, but I can't help wondering about strings. I've never seen a 5 string set that short.
I know a woman who is a bass player and is less than five feet tall. Her hands are correspondingly small.
Guess what size bass she plays?
Does she play one finger per fret on the first four frets? Can she comfortably run the chromatic scale across the strings on the first four frets?
I don't say these things to disparage the woman or her technique or style. I'm sure she's doing exactly what she wants, it just so happens it isn't what I want from my bass.
Does this make more sense to you now?
With her tiny hands, she needs her 32" scale bass unless she wants to move her hand constantly. So, on the lowest pitched 4 frets, to comfortably keep one finger per fret, yes, she needs a smaller bass.
So, that's an answer to the question of
"why use micro and short scale basses?"
Which means I have a bigger engine in my Mikro per capita than most of you Fender-huggers.
I understand what the big deal is about short scale bass,, just put a capo on 2nd fret , retune and now you have a short scale bass.. put the capo on 5th fret put piccolo strings on and now you have a guitar,There ain't any explanation for it. People just refuse to be what we think they ought to be.
Idk, I love that cold hard metallic sound and deep resonance that I get from a longer neck and bigger bass. Usually the heavier the bass the more comfortable I am too. I have pretty big hands, Im a carpenter and have been for 30 years, My hands are calloused beyond comprehension, I cant imagine playing a little miniature neck. My fender zone is almost too light for me. I do however like thin necks without much D shape at all, Like if you combine a spector with a jazz and then stretch it. I pick up a guitar and I feel like an ape on a grinding wheel with it. I hop on a 35 incher and I feel like Robert Duval in Apocalypse Now.I only play 21-25" scale basses, as you see in my signature. For the almost 50 years I played guitar, I was often told I should play bass because I had good rhythm and feel, but I never wanted to be encumbered by a big bass guitar, forget a stand up. Then I started playing ukulele with a senior group and the leader asked if anyone would take up the bass to fill in our sound. When I saw all the sub-short scale choices, I went for it. I don't understand how anyone can play those long neck awkward basses.