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I definitely will be! Understandably, after buying this head I won't be able to afford a new cab(s) for at least a few months, so there's definitely going to be some gigs on the Bags. Maybe I'll be perfectly happy with them.My recommendation would be to try the head out with the Bag End cabs first and see if you really have a problem to solve.
If you decide you need (or want) new cabs, I agree that Barefaced and Mesa are good choices for what you're describing as your target tone.
I'm not familiar enough with the Aggie DB series to weigh in but if you didn't like the SL112 stack there's a good chance you're not going to like any of the SL cabs as they're all in the same tonal ballpark. (I have an SL112 that I'm not in love with, either)
This is the kind of reply I read over and over on this site about Barefaced. I feel like that's probably the right move. The 212 Barefaced cabs have been on my radar for years and I just never had a chance to try one. I may have to just bite the bullet and order one.@gtirard already has pointed in the right direction, but I don't think a Super Compact or three10 are the right choice.
This is a serious amp. I'd go with a serious cab. Either a 212 setup or the six10. Looks the part, brings the thunder. Having such a beast of an amp resting on a cab that brings it to about knee height just does not sit right with me.
Compared to the aguilar cabs, I must say that the barefaced models are a lot lighter than the SL series and a lot louder than the DB or GS series.
You can compare the output of a Super Compact to the output of a GS212. I did. It was a tight race, but the barefaced won.
So a barefaced 212 cabinet should release about the same seismic energy a 4x12 stack of aguilar cabs does - which is enough to rattle the tectonic plate you're on.
This is the kind of reply I read over and over on this site about Barefaced. I feel like that's probably the right move. The 212 Barefaced cabs have been on my radar for years and I just never had a chance to try one. I may have to just bite the bullet and order one.
This is the first time I've heard someone mention that cab in years. I always assumed they were boat anchors but I just checked the site and they're less than 60lbs, so very manageable. I'll have to look into that!I would consider an Accugroove El Whappo—I actually own one, and I absolutely love its sound. I also have a Barefaced Four10 alongside it, which has a more vintage-voiced character, but the Whappo offers far more in terms of power and versatility.
I used DB210x2...have to say the DB212 was far better for me, soundwise. Not weight though, but even then the 210 was 52lb iircI'd go with a used pair of Aguilar 210's for the easier transportation, versatility, tone, and aesthetic.
Here's how it would look with a DB410 and 2 x SL112
I've never played through any Epifani stuff, but I feel like I've read Pino like their cabs. That's enough to make me want them, and I don't care if that's shallow hahaBerg 410, Epifani UL410, Mesa Subway 410
Good to know, that's probably not what I'm looking for then.Epifani is generally described as 'pillowey' which is soft and warm.
A bit like the Aguilar GS.
A bit outta the ole price range, but those look great! I had a pair of the first gen 112 cabs that I ended up selling. I think that was more to do with the head I using at the time though. They definitely seemed like the closest thing to studio monitors for your bass that I've ever heard.Id be all over these.
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Bass Array2-212-3 - Genzler Amplification
THE NEW... A New Dual 12" With That Signature Bass Array Response GENZLER ® AMPLIFICATION is proud to announce the newest model of our popular and innovative BASS ARRAY® compact bass cabinet designs --- the powerful 2 x 12", BA2-212-3 cabinet. Along with the offset, dual 12"...genzleramplification.com
Ah man I missed your intended range, sorry about that. These are more than I'd spend too but I love the whole design and execution.A bit outta the ole price range, but those look great! I had a pair of the first gen 112 cabs that I ended up selling. I think that was more to do with the head I using at the time though. They definitely seemed like the closest thing to studio monitors for your bass that I've ever heard.