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Double Bass high tension dark strings?

Hello folks, I am looking for a dual-purposed G/A string. I play both 4th-tuning and 5th-tuning, so I want to find a string that is suitable for both G-D and A-D on top. My current D is Spiro wiech 3885. I like darker sound on top, so my ideal string is a string dark enough on A, yet powerful enough when tuned G. A high tension solo A or a low tension orchestra G may be an option. To my taste, even Evah solo and Belcanto solo are too bright, Passione solo, Kaplan solo are too thin. Does a high tension dark solo A exist? I have heard of that Jargar Dolce G could also be tuned to A. Does anyone have thoughts on that, in terms of the sound? Or something like that, a powerful low tension G that will not snap easily?
 
Hello folks, I am looking for a dual-purposed G/A string. I play both 4th-tuning and 5th-tuning, so I want to find a string that is suitable for both G-D and A-D on top. My current D is Spiro wiech 3885. I like darker sound on top, so my ideal string is a string dark enough on A, yet powerful enough when tuned G. A high tension solo A or a low tension orchestra G may be an option. To my taste, even Evah solo and Belcanto solo are too bright, Passione solo, Kaplan solo are too thin. Does a high tension dark solo A exist? I have heard of that Jargar Dolce G could also be tuned to A. Does anyone have thoughts on that, in terms of the sound? Or something like that, a powerful low tension G that will not snap easily?

I heard a rumor that John Pattatucci worked with pirastro on the evah weich set so that it could be tuned to solo tuning now and again. I don't know how true that is but maybe try that? Full disclosure i have no idea if pirastro recommends that or not.
 
Hello folks, I am looking for a dual-purposed G/A string. I play both 4th-tuning and 5th-tuning Does a high tension dark solo A exist?

Not that I have found.

5ths tuning there is a difference in string sound and tension of the high A and the D.
Same with the F# solo tuned to G compared to low C and higher D.

Talking arco, I have tried high A solo Dominant, solo Belcanto and solo Pirastro Flex. All have been cello like. I have been advised, by someone who knows, that any regular G tuned up to A is not an improvement over a solo A.
The Dominant was the best sounding but it broke after two weeks.

My conclusion?
To get a dark full sound (like a high G Passione) with a solo A is not possible. Now I embrace the cello sounding high A. I sometimes contemplate putting the G passione back on because I like a dark sounding top string that matches the D, which is effectively tuning hybrid 5ths. It’s an option.
 
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Not that I have found.

5ths tuning there is a difference in string sound and tension of the high A and the D.
Same with the F# solo tuned to G compared to low C and higher D.

Talking arco, I have tried high A solo Dominant, solo Belcanto and solo Pirastro Flex. All have been cello like. I have been advised, by someone who knows, that any regular G tuned up to A is not an improvement over a solo A.
The Dominant was the best sounding but it broke after two weeks.

My conclusion?
To get a dark full sound (like a high G Passione) with a solo A is not possible. Now I embrace the cello sounding high A. I sometimes contemplate putting the G passione back on because I like a dark sounding top string that matches the D, which is effectively tuning hybrid 5ths. It’s an option.

A solo ‘A’ string will always sound cello-like. The obligato fifths tuning set has a robust sounding high ‘A’ string that sounds more like a regular orchestral G.
 
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While we are at tuning around, what is a good String for Low D to match Passione stark?

I don’t worry about matching when it comes to the bottom string. Passione is a dark string and for a low D I would want something that can speak quickly and be relatively bright.

you’re probably going to want a spirocore tbh even though that is a brighter string
 
For a darker sound you can use a tone filter (middle holed rüber disk) at the bridge. That might help with the strings that are a bit too bright for your taste.

But tension will differ by 22% (as far as I can remember, check formulas.html) for G and A. It is not a good idea to setzen a single string that much and keep the neighbor in tune.

Tuning up by a halftone might work well with many strings, specially on a shorter scale. I wouldn‘t do that by a wholetone.

I once tuned a string up by a major third and the string broke without touring it. Keep in mind that bowing and plucking stretches the string and enlarged tension that way.
 
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