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How would you lose the hollow body tone? It’s just a better bridge for intonation.Going to bring this thread back from the dead. I really love the tone of my Jack Casady with the stock bridge, but would love the convenience of the hipshot (and I happen to have one kicking about), but I'm really worried about losing that great hollow body tone. Any once care to chime in on their hipshot experiences with the JC?
Don't panic, this is a common problem with a lot of the 3 point bridge basses. Happened on my JC and a T-Bird I had as well. The posts can be glued back in, let set overnight and you're good to start again. The Supertone would not adjust high enough? My experience with it was great.
When this happened on my (then) brand new 20th Anniversary Edition, I used super glue gel. Put a small amount on the wood after pulling out the post; reinserted the post so it was seated properly and never looked back! Haven't move a mm since!I actually Googled info about this because the bridge posts on mine are coming out as well. I had them glued back in and they only lasted until the next time I restrung it. :/ Now they're pulling out again. Am I doing something wrong to make it happen so soon? And does the Silvertone not have this problem as much? I'm the 3rd owner of this bass and it's been around the block.
When this happened on my (then) brand new 20th Anniversary Edition, I used super glue gel. Put a small amount on the wood after pulling out the post; reinserted the post so it was seated properly and never looked back! Haven't move a mm since!
Don't worry - it will! I, too, love this instrument, and the first one I had, a '99 Silver Burst, made in Korea, not China, had none of these issues! All in all, though, I can't tell any difference in playability or sound!Thanks! I hope it works because I love this bass.
I never did on my Jack Casady Silverburst made in Korea; but did on the Chinese made one! AS I mentioned earlier, except for that and a minor paint flaw (missing some black paint on the edge of the 'F' holes), the Chinese made is indistinguishable from the Korean made one!I don’t get it. I haven’t had the problem of inserts pulling out and that’s on two basses: a Epi tbird i had for two years and my JC going on two years.
I attribute this to tilting the bridge up by raising the front bolt. It changes the fulcrum point thereby lessening the leverage on the back bolts. Or so it seems.
There’s something i like about the stock bridge and can live without the saddle height adjustment. The JC plays beautifully as is.
I must admit since i adjusted the stock bridge I have no issues with set up now. Saying that, i do have the new black Supertone so I’m going to at least give it a go this week. I love how easy it is to change the bridges on the bass without having to reset everything each time after the first fit.I don’t get it. I haven’t had the problem of inserts pulling out and that’s on two basses: a Epi tbird i had for two years and my JC going on two years.
I attribute this to tilting the bridge up by raising the front bolt. It changes the fulcrum point thereby lessening the leverage on the back bolts. Or so it seems.
There’s something i like about the stock bridge and can live without the saddle height adjustment. The JC plays beautifully as is.
Thread resurrection…
Bought a used (looked new!) JCB a year ago. New to the Epi/Gib 3point design so read how to adjust. Do all my own work on each of my basses except the double rods in the neck of my ‘74 4001 (note that with the ol’Ric I am very familiar with “interesting” bridge designs).
So changed one set of strings (to flats), then again to rounds. No issues, but have to say this 3 point design is fairly fiddlefriggy by comparison to anything else. You need to be careful - like you’re changing a mouse trap that can snap at any moment. All was well.
Yesterday I changed to flats again (settled on DR’s flats sound/feel best flats on the JCB, for me) Again, nothing flew apart on this change either. But I needed to lower the action a tad. Neck is perfect (from last years adjustments). I did so gradually, with 1/4 turns and kept the front pin tilted up properly as described by NASA for this special bridge…
Up pops the E side post. I slack everything back a bit, and tap it in. Turn a little tension on the string again, just a little too, and up it pops. “So!” says I, “it’s true what I’ve read about this weird contraption after all.”
So a tip for glueing these stupid things back in (which you just shouldn’t have to do with any bridge design IMHO): 1) cut a piece of newspaper the width of the bushing (that you’ve pulled the rest of the way put).
2) Spread a thin layer of carpenter’s glue over the paper strip (yep, paper mache)
3) tightly wrap it around the pin and tap it in. Let it set up and hope that’s the last of your old fashioned luthier work for this contraption.
Hipshot’s sensible bridge certainly came to mind - immediately.
Set the front height screw SLIGHTLY higher than the rear two. This will angle the bridge plate and change the angle of the force of the strings trying to lever the back pins up and out. Five years I've had my JC and no sign of the bushings pulling out. It's science.