God, I just had so much fun playing my Hofners that I had to share it with somebody who might understand. I have a '67 violin bass with blade pickups and also a '64 Senator bass with just a neck humbucker. The violin has black tapewound strings and the Senator has Pyramids.
Going through my trace Elliot v6 into a simple Ashdown 1x15 cabinet, these two basses have so much bottom that it's unreal. I know it doesn't make sense that these plywood basses- especially the smaller body one- should out-thud contemporary solid body basses, but it's really quite extraordinary. Plaster rains down from the ceiling of my studio when I hot the low E. There's really something special about those instruments, can't quite describe it.
I love bass. I love being a bass player.
Going through my trace Elliot v6 into a simple Ashdown 1x15 cabinet, these two basses have so much bottom that it's unreal. I know it doesn't make sense that these plywood basses- especially the smaller body one- should out-thud contemporary solid body basses, but it's really quite extraordinary. Plaster rains down from the ceiling of my studio when I hot the low E. There's really something special about those instruments, can't quite describe it.
I love bass. I love being a bass player.
