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Really? All those basses were made in the same Kalamazoo factory, and just like the 330's and 335's, and the Epiphone analogs, both basses and guitars, had plywood tops. Really good plywood, yes, but plywood nonetheless.Obviously the Gibsons are the higher end and used solid wood instead of plywood, but vintage Rivolis are for all intents and purposes just as good as far as I'm concerned.
And now for something completely different: Ibanez Artcore. Much less expensive, great QC. Or another alternative if you want full scale: Epiphone Jack Casady. Versatile, full scale, well received.
Vintage Guild Starfires are similar instruments and are slightly cheaper than the Gibson/Epiphone series. New reissues are going for under $1000. .
If you find yourself lucky enough to be in the position of getting your choice of either one, just be glad! Obviously the Gibsons are the higher end and used solid wood instead of plywood, but vintage Rivolis are for all intents and purposes just as good as far as I'm concerned.
The issues are what we all love about old vintage hollowbodies! Who wants all the character built out of them? Not me, that's for sure!
That'll learn me to use the Wiki pages as a referenceReally? All those basses were made in the same Kalamazoo factory, and just like the 330's and 335's, and the Epiphone analogs, both basses and guitars, had plywood tops. Really good plywood, yes, but plywood nonetheless.
Gibson Electrics
Once a Tree…
OK...1968 EB 2 update
Got mine from a friend who has a shop and tons of contacts, goes to shows, buy / sell / trade all used and vintage stuff
He got it at the Philly Guitar Show, baritone switch NOT working, he placed value around $1500-1600 (know I traded for it, can't remember what)
His friend had the original switches to make baritone work, offer was "fix for free" so I gave it back after a couple weeks to be fixed
Was told it was noisy with tapewounds and new baritone switch (it was, it hissed) and needed metal strings, so I put on used flatwounds of unknown origin which he also gave me. (looked brass colored where strings attached to bridge, all string ends by tuners were blue)
IS THERE A POINT TO THIS POST ?
YES, getting to it now
After playing with the broken in flatwounds last night (it was quiet again, no amp hiss) I switched to my 2015 American Standard Precision, which I normally love, and the Precision seemed like a soulless appliance...
You (I) can definitely adapt your music to what the "furniture moving" mudbucker pick up wants to put out...
Feel like an EB-2 at right price will hold value, solidly built, all laminate (essentially an ES 335 bass) - you just need to guard against headstock breakage - mine is in my hands or in case with latches shut except for 20 seconds on stand for cell phone pix
And...mine has a brass nut, doubt it is original, no idea...may effect tone on open strings, no idea
OK, done for now...totally addicted to mine
awesome, really appreciate the info. When I played the EB2 it felt awesome with the flat wounds. Baritone switch is very cool. If I were to buy it, it would only be in my hands, or in the case. I would only bring it to high end, lower key gigs that would put it at less risk or damage. Any recommendations on aftermarket cases?
And now for something completely different: Ibanez Artcore. Much less expensive, great QC. Or another alternative if you want full scale: Epiphone Jack Casady. Versatile, full scale, well received.
Yes the Epi JC case is a perfect fit for the EB-2. It’s what I use for mine.
View attachment 3624928
EB-2 out and about....