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home made back drop

I am not shure that this is the right place to post, but in another thread here I mentioned that I would be painting a backdrop for my 4 piece cover band, this weekend.
The band is sick of seeing photos of us with tv’s, dartboards, menu boards and general bar wall detritus in the back ground.

A few people mentioned that they would be interested in seeing the process. So here it is.

This took me the best part of a day starting at about 9am. Having bought the paint and made the template before hand. The time being mainly taken up with drying time between coats.

The cloth is a decent quality polycotton “pocket lining” (that's what its called here). It’s very light, very cheap, dosnt hold a crease, comes in black and it is used for.. you guessed it making pockets. The cloth comes in 1.5m ( about 5’) width, so I had two stitched together to make a 3m (10’) drop.

The paint is hardware store rattle can, don't worry about gloss, I sort any gloss out at the end with a coat of matt clear.

My back drop is very long, about 40’, this is specifically for one venue we play regularly and is meant to cover the sides of the stage as well as the back. I will see if this is practical, I may end up cutting it into three.

First I found the center of the cloth then layed it out on my garage floor. A smooth CLEAN floor will help you tremendously.
Then I positioned the template, made from 3mm masonite, where I wanted it on the cloth.
It is important that you get the cloth as smooth,( wrinkle free) as possible.

The template was made by tracing the logo onto the board, then cutting it out with a jig saw. The blades that I use are very fine, but even so you cant do a 90 deg turn without screwing up the corner. I use a Dremmel metal cutting disc to cut a slot where I want to put the jigsaw blade in just in front of the 90 deg turn.

Brush or vacuum any sawdust from the back of the template as you don't want this on the cloth. I didn't and it was a real pain to sort out.
 

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Then I removed all the parts of the template that are to get paint regardless of colour. Placed small weights on any area likely to be moved by the spray blast. Using white primer sprayed the whole area. I spray one coat and leave to dry, about a hour. The effect isnt that great because most of the paint has soaked in to the cloth. This seals the cloth making following coats more effective. You need to keep applying coats of white primer until the exposed cloth is as white as possible. I was in a hurry as I need to garage my car at night so this was a one day job, period. I used three large-ish cans. Once the primer is dry, I started applying colour.
Use the cut outs from the template to mask any areas that don't get the colour you are using.
Do your thing, building up colours as you go.
 

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When its dry, remove the template. If you have over spray, don't worry. I use matt black paint or a black permanent marker ( I think the U.S. is “sharpie”) to touch up afterwards.Job done, hope this was useful.
 

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Just after removing the templates with over spray ( the only bit of cheap masking tape I used on the job was to blame, a lesson maybe?) Then touched up. Not perfect but will do the job. Sorry for the crappy phone cam pics. My ex got the DSLR, but I got to keep my basses, so dont feel bad at all.
 

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One word of caution. It's recommended to use flame retardant fabric when doing this type of project. If you're playing big venues in the USA, they will request a "flame certificate" from you before you'll be allowed to hang the banner. Basically it's just a certificate from the manufacturer that says the fabric is flame retardant.
 
This may be the difference.. our rider and contract spell out exactly what we request and bring.. if they want to inspect they have to show to a scheduled gig to do so..

OR they can review the photos.

Tim

Maybe I was unclear. The size, location, and method of hanging of the banner are clearly spelled out in the rider and advance. The House of Blues management ask for the Flame Certificate, even upon receiving said rider and advance, not the Fire Marshall or whomever the "they" you are referring to above.

Regardless of the semantics, it's good risk management to use a flame retardant material (and have documentation of such) in order to limit your liability should something unfortunate occur.
 
VERY COOL

Congrats....

Nice work.. (do you hire out?)

Yes I do hire out, but shipping from africa could be cost prohibitve:D

Thanks for all the positve comments. If any one has any specific questions regarding things that I may have missed in the commentry, feel free to PM me.

The flame retardent issue is one that I have not considered. We only use LED lighting, all venues are non smoking here by law and we dont use pyrotechnics. So other than an electrical fire, ignition sources are pretty thin on the ground. I do know that you can get a fire retardent spray for fabric, if it really is an issue. It is commonly used here on things like hotel room curtains.

I have never been asked for this kind of certificate but we play mainly medium to large bars and small clubs, perhaps the bigger venues are more sticky with things like this. It would make a styrofoam Stone Henge a real problem.:bawl:

Rich.