The Finale bow that I recommended is a bass bow, not a cello bow, just for clarification. I have a German grip (only available for DB and violone), but in the USA and Latin American the French grip (like a Cello and the ones you referred to) is much more common.
But in the end it’s the player who decides what works better for him. So starting with cheaper bows might be a good idea.
Carbon fiber bows are a bit sterile in sound compared to a wooden bow, but several bows from a certain model share the same characteristics, so it makes sense to check the user comments to a certain CF bow. Wooden bows are more sensitive to breakage (falling down on the tip), can differ a lot in characteristics and even the cheap ones often sound warmer.
OTOH, cheap bows are made in China, are often tip heavy or heavier in total than an average good bow and in general have less good hair than what a bow maker would accept for a rehair (once a year if you play or not or you notice high hair breaking and less good grip). So the grip most often gets better after a rehair, but the cost for it is often close to the cost of a cheap bow.
Just for some background info.
The Finale bow and my Chinese Yitamusic Snakewood bow (a bit heavier due to the Snakewood) works well for me, but my bowing skills are rather limited.
I have an ironwood/IPE bow from Vingo, but It not happy with the characteristics of it. Too soft for my taste. Wouldn’t use it for marches or tango.
at this scale length, the frets get almost impossibly small (26th ->| |<- 27th =<.5")
