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Double Bass How about the SWR Workingman's 12?(longish)

I owned an older, used WM 12 and ended up selling for several reasons. 1. It started to develop a nasty rattle that I couldn't contain, and 2. I disliked the sound with my setup. I believe I was trying various pickups like the Underwood and Realist at the time with a not-so-good preamp. That might have been with my old POS plywood bass at the time as well.

Now, I teach at a university and they have one of the newer models (without the shelf/drink-holder! design found on the older models). I must say, I'm impressed with it -- especially now that my pickup and preamp rig has evolved (Carved bass/Barbera/Aguilar DB924 18v pre). I played the amp at a student recital last year in front of a full house in the auditorium and it sounded great. The students use it during big band practices and although its slightly beat up, it sounds juts fine. They also keep it on a wheeled cart (like the ones most schools use for film projectors) and it sounds especially good a few feet off the ground.

I'm considering buying a new one again for cocktail jobs. Unlike some of the other players here, I really dig when a cabinet or combo adds tons of low end to my sound. You can always roll it off... I think you can get them online and shipped for around $500...a pretty solid deal. I wonder if those "clip on" roller handles from Euphonic's combos might fit one of these???

One of my students has both new WM 10 (super portable) and WM 15. I was really impressed by the ten -- sounded great -- especially with the extension cab. The 15 is also awesome -- especially for EB, but I haven't tried it with upright. IME, 15 inch speakers aren't the best for DB -- but it does have a nice sounding tweeter.
 
larry said:
That Baby Blue with the 2-8"s is still the best-sounding amp/cab combo I've ever heard. It just severely lacks head-room. Even w/ DB (Edit: I meant to say EB) the sound is great - you just can't push it. I have not played through a EA VL208, but I imagine it's like the SWR but with head-rooom. I ended up selling mine when I got into Bergantino cabs. I still use SWR heads though.

When I got my Baby Blue from Washington Music it just didn't sound right with my bass and the Underwood Pickup. When I pulled out the head and used the cabinet with my Walter Woods
MI 100-8 the tone quality and timber improved dramatically.

The Realist wasn't around back then so I don't know what that combination would have sounded like.

Since the cabinet was rear ported, I would always end up having to set the amp up several feet from the surrounding wall. It was a very nice sounding cabinet, but I think the newer 2X8's are vast improvements.

Ric Vice
 
Ric Vice said:
Since the cabinet was rear ported, I would always end up having to set the amp up several feet from the surrounding wall. It was a very nice sounding cabinet, but I think the newer 2X8's are vast improvements.

Ric Vice

I agree with that. I think the head room issues had a lot to do with the rear port. Not head room per se, but at louder volumes the sound bouncing off walls out of the back muddied up the rest of the sound in front. I should have said "at very low volumes" it is the best combo amp I've heard.

I have not tried any newer 8" cabs. I'm looking forward to the new EA.
 
I have the WM 10 and 12. Use them with a Full Circle with and without a preamp. Doesn't need preamp IMO unless you want the EQ. I had the 12 first but hated lugging it for small venue gigs (most of mine are). Found a 10 brand new for $250 and prefer it over the 12 unless its a larger venue.
 
I have a lot of experience with all three. In general, they are decent amps for the price and will get the job done. Using the WM preamp with DB is not the greatest as it's tone shaping abilities are limited and I think, set more for BG. I have the best luck running an outboard preamp-eq into the FX Return. As has been said, the 10 is underpowered but ok for small, quiet gigs. The other two are house amps at venues I regularly perform at, and they work well enough that I usually don't bother bringing my own rig. Now, Mike Arnopol always brings his own rig to these clubs, so different strokes.