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How "catty" is your local scene?

Yeah.. but does jazz sell beer ??
This is what happens when they find out the next act is a jazz band

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Kind of funny about the festival type thing. I find that it’s rare that the bigger shows like that get the better talent in the area.

The promoters often seem to be out of touch, or they hire their friends or “people in the business” or they think that bringing in bands from other areas is more important, for diversity or just to have someone not local.

Unless they’re bringing in someone really good from any of those, I think it sucks because those kinds of things (especially local festivals) should be more about promoting local talent. It helps bands get exposure, which then helps the local businesses that the bands play at, and mostly, it showcases the local talent of the city/town that they’re trying to promote and draw people to in the first place. Should be a win/win.

Crappy bands are a dime a dozen, but when there are good bands they should be sought out more actively and promoted better. I just think that promoters don’t go hang out in the bars & other places that that good bands play because they think good bands should already be in a higher circle for the promoters to know about them and consider them.

It’s a shame that the industry as a whole doesn’t work together more, to help promote each other.

C’est la vie.
 
Kinda wish there was more of a local scene to be catty about where I live. People are actually pretty supportive overall, but the scene itself is very small.

Im wishing more and more I was able to play jazz better so I could get gigs doing that stuff and use that as my creative outlet instead of the genre Im in.
And you think that jazz is going to be less catty? Rock players don't hold a candle compared to some of the pretentious jazz players I've worked with.
 
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My area is made up of mostly originals bands (in all genres) who all respect and support each other. It’s great!!!

But there are a handful of covers bands around here (in the classic rock/top 40 genres) and they seem to be competitive, non-supportive, and otherwise lean more to the catty side as you described.

Learn more genres! You’ll most likely improve overall as a musician, have more fun, and make more money as a result.

Two problems with that. Even though I’m 90 minutes or so from NYC and philly I’m sort of geographically isolated so to speak. Outside of weekends it’s difficult to get out and do anything. I play the stuff I play now because it's easy for me and i know most of it. Jazz stuff is a bucket list thing more or less/
 
going to be less catty? Rock players don't hold a candle compared to some of the pretentious jazz players I've worked with.


I've encountered some of that, but overall the guys Im running into are pretty supportive and helpful, for the most part. Not to sound snobbish but better "quality" of people also (less prone to drug use, drinking, tend to be more educated, etc). If someone is catty or pretentious but has the chops/knowledge to back it up, thats one thing and is almost tolerable. Catty/pretentious but is a mediocre at best rock player who can't be bothered to learn changes to a tune correctly, different thing entirely.
 
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In my area, there are probably a half dozen bands or so that play the same genre of music, and it is one screwed up, catty scene.

One guy gets butthurt because his band wasn't booked to play the big local music fest so he goes on Facebook and makes a post about how he "hopes it rains all weekend" in the town this fest is held at.

Another guy gets butthurt because my band gets booked at "his spot" and is complaining about how we are infringing on "his" territory.

It goes on and on..I won't even get into the egos involved, which in most cases are overblown considering the skill levels involved.

Frankly I find it all to be rather toxic, and Im wishing more and more I was able to play jazz better so I could get gigs doing that stuff and use that as my creative outlet instead of the genre Im in.
When I left the crappy ATL cover band scene a couple years ago, it was beyond sucky.
The same two dudes were playing bass in no less then 6 different bands each and cheating their way through every single song, half-assing it at each gig.

The only 3 bars that even booked cover bands are out in the northern sticks, and 2 of them have since closed. One is now an Indian buffet. Big improvement!
 
In my area, there are probably a half dozen bands or so that play the same genre of music, and it is one screwed up, catty scene.

One guy gets butthurt because his band wasn't booked to play the big local music fest so he goes on Facebook and makes a post about how he "hopes it rains all weekend" in the town this fest is held at.

Another guy gets butthurt because my band gets booked at "his spot" and is complaining about how we are infringing on "his" territory.

It goes on and on..I won't even get into the egos involved, which in most cases are overblown considering the skill levels involved.

Frankly I find it all to be rather toxic, and Im wishing more and more I was able to play jazz better so I could get gigs doing that stuff and use that as my creative outlet instead of the genre Im in.

That's pretty bad. There are pretty much two camps around here. Those of us who have been in the scene for a decade or more are all friends. We might joke with each other over who scored a good gig. But it's not serious.

Then there are people/bands none of us know. We don't bother them. They don't bother us.

But none of us are "against" each other.

I hate you're having to deal with that nonsense.
 
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In my area, there are probably a half dozen bands or so that play the same genre of music, and it is one screwed up, catty scene.

One guy gets butthurt because his band wasn't booked to play the big local music fest so he goes on Facebook and makes a post about how he "hopes it rains all weekend" in the town this fest is held at.

Another guy gets butthurt because my band gets booked at "his spot" and is complaining about how we are infringing on "his" territory.

It goes on and on..I won't even get into the egos involved, which in most cases are overblown considering the skill levels involved.

Frankly I find it all to be rather toxic, and Im wishing more and more I was able to play jazz better so I could get gigs doing that stuff and use that as my creative outlet instead of the genre Im in.

No we don’t have that here. In fact, nobody plays here.
 
Nobody is forcing you to stay in your genre.
I'm guessing (feel free to slap me around a little if I'm wrong) that you are quite young, and hanging with a scene the same age. Maybe it's just a maturity/experience thing.
My demographic supports each other, lends gear if ness, lends a musician if someone is sick, and goes to each other gigs. If I can't accept a gig, I always pass it to a colleague, and if a a venue asks for a recommedation for a band, I try to set him up with someone right for the job. This is after 45 years in the business.
If I'm right that it's just an age thing, there's two things you can do 1) Let it mellow. Drama lessens with age. 2) lead by example. Be the better man in every instance.

This is how it works with pilots in my area.
 
Kind of funny about the festival type thing. I find that it’s rare that the bigger shows like that get the better talent in the area.

The promoters often seem to be out of touch, or they hire their friends or “people in the business” or they think that bringing in bands from other areas is more important, for diversity or just to have someone not local.

Unless they’re bringing in someone really good from any of those, I think it sucks because those kinds of things (especially local festivals) should be more about promoting local talent. It helps bands get exposure, which then helps the local businesses that the bands play at, and mostly, it showcases the local talent of the city/town that they’re trying to promote and draw people to in the first place. Should be a win/win.

Crappy bands are a dime a dozen, but when there are good bands they should be sought out more actively and promoted better. I just think that promoters don’t go hang out in the bars & other places that that good bands play because they think good bands should already be in a higher circle for the promoters to know about them and consider them.

It’s a shame that the industry as a whole doesn’t work together more, to help promote each other.

C’est la vie.
Here it’s hit or miss depending on the particular festival and who’s booking the talent. But yeah sometimes the organizers are way out of touch with the local music scene. Have definitely seen that. One of the big ones here sadly is always a joke to the bands who actually gig in the local scene. One guy is buddies with the organizer and plays a last minute thrown together disaster nearly every year. Never played a paying gig at a club all year long and then gets to play in front of thousands of people with a band that’s obviously thrown together last minute just to play that festival. Makes the entire scene look bad because the crowd doesn’t realize how they got the gig. The crowd assumes they got the gig because they are one of the better bands in town. So it’s embarrassing for all the local bands who actually do play regularly.
 
Curious about the genre. I played for years with blues/soul bands in the SF Bay Area/Santa Cruz/Monterey and the network of other bands and players was great. Lots of subbing between bands and enthusiasm over who got what latest gear, etc. Really supportive all around. I miss it.

Going on Facebook to publicly whine is pretty shortsighted. If any of the festival organizers see those posts it's safe to assume that band won't be booked in the future either.
 
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