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How competitive is your local cover scene

Madison is pretty competetive - lots of clubs and several are agency captive. There always seems to be a new cover band breaking into the scene - more of that in the last couple years and they grab some festival work too. But Madison is a great music town with a vibrant club scene. My cover band made the conscious decision to get out of the club scene almost entirely and we are a wedding/corporate band now. Much better for us older guys. Better venues, more control, better pay, happier band members. By choice we only book one gig per month, but that gives us the pick of really nice gigs. We do try and do one club gig per year, so friends and family can come out and hear us.
 
Just yesterday I was chatting with my girl about how great the music scene is here in the Cleveland area. The vast majority of the musicians I know and work with are great people. I work mainly with three well established bands.

One is an Oldies band that plays 50's and 60's music, and have had standing weekly gigs for years now. The GeezeCats Home Page

The next is cover/original artist whose current release is heavy rotation on AAA format stations in Northern Ohio. Invalid Link Removed

The last is another cover/original artist that has been a long-time fixture in the Cleveland music scene. Playing songs from Genesis, Jethro Tull, and other non-typical material.Paul Fayrewether - Paul Fayrewether

Between these three bands and various sub/pick-up gigs, I will have worked 190 gigs this year. Not bad for a working schlep eh?

The corporate/wedding scene is very active as well, though majority of that work goes through one exceptionally run agency. Invalid Link Removed

One thing in particular that has helped our scene enormously is the work of one dedicated local music fan who put together a great website that is now the go-to site to find out who's playing and where. AfterTheGig.com

I'd be remiss not to also mention the Blues scene here. It is fantastic! We have tons of supportive fans, musicians of all skill levels, and open jams every night except Fridays and Saturdays.

Yes indeed, CLEVELAND ROCKS!!!:bassist:
 
I'm pretty fortunate to be in a very friendly scene, or so it seems. I don't really do the cover circuit often (unless you count blues bands - which I do all the time), but I've encountered it now and then, and know lots of people who do. Most musicians around here don't knock each other, are supportive by going to see other bands (paying cover, buying drinks), and across all genres - jazz, bluegrass, blues, r&b, rock, etc. (well, the metal guys maybe seem to have their own little world). I guess I'm just lucky to have started out here!
 
We play in the Macon area, generally, which is south of Atlanta. The scene is dominated by rap groups and DJs since we are in the African American heart of the country, so rock groups (such as mine) don't get nearly as much attention as they would in other places. But we still do well: this last Friday we played all night at the Rock N Rodeo in Valdosta to 500ish people and pulled about a grand, so it was a good night.

As far as other bands in the area, the vast majority of us get along very well and come to each other's shows. We are a close knit community, have our own group on Facebook in which we all discuss venues, crowds, prices, booking, gear, etc. And it is all too common for bands to call the members of other bands on stage to do a song or two if they happen to be out in the crowd at a show.

The only band that deviates from this positive coexistence is a certain local group that I will not name who advertises themselves on all their flyers as "Georgia's #1 Live Band." (Need I remind you that REM, Collective Soul, Mastodon, etc. have come from Georgia, so such a statement is ridiculous.) But anyway, they are a crappy 80s metal cover band (Poison, Motley Crue, Guns N Roses) comprised of 50 year old men who wear tight jeans, eyeliner, women's clothing, and such. Their performances of the songs are dreadful. The only reason they are so popular is because the lead singer is an excellent businessman and the band has been around forever, so they have tons of friends, and can generally bring a decent crowd. Unfortunately, they talk to the rest of us like we are amateurs (despite our blatantly superior performances) and carry themselves with a tangible air of arrogance. I had nothing against them until about two months ago:

We were set to open for a national act on tour. Said 80s metal cover band was also on the bill. They whined, pissed, and cried until they got their spot swapped with ours so they could go on before the national act. Low and behold, our performance was outstanding, and theirs was awful. The singer couldn't stay on key, their guitarist was shot out on meth, the bassist couldn't keep rhythm, and their drummer couldn't hold on to a stick through an entire song.

Anyway, we've gotten over that. I've become somewhat of friends with the bassist since he and I both play Schecter.

But overall, the music scene in Macon (as far as rock goes) is pretty decent. We all get along, don't mind if another group covers the same song, love jamming with each other, buy each other drinks, come to each other's shows, and generally embrace the music scene as a community. It's pretty cool.
 
Most of the nicer places and better paying, clubs, bars and festivals gigs are monopolized by 1 or 2 agencies in Milwaukee.

For example, your band wants to play State Fair. If your band is not represented by 1 of the agencies,you won't be playing State Fair.

I can't agree with this statement. You have to create demand for your band and then it just won't matter. The agency may have a relationship with the hiring agent at the state fair, but if the hiring agent has the opportunity to book a band that is a big draw he isn't going to not do it because some podunk local agency doesn't represent them.
And if it is true and the agency is that all powerful then I guess it is just up to you to get good enough that the agency will want to represent you.
For the last fifty years I have heard (and said myself), "We just can't get the gigs because... (fill in any one of a million excuses)."
I have never heard anyone say, "We just can't get the gigs because we just aren't good enough yet. Let's get to work and get really good."
 
I can't agree with this statement. You have to create demand for your band and then it just won't matter. The agency may have a relationship with the hiring agent at the state fair, but if the hiring agent has the opportunity to book a band that is a big draw he isn't going to not do it because some podunk local agency doesn't represent them.
And if it is true and the agency is that all powerful then I guess it is just up to you to get good enough that the agency will want to represent you.
For the last fifty years I have heard (and said myself), "We just can't get the gigs because... (fill in any one of a million excuses)."
I have never heard anyone say, "We just can't get the gigs because we just aren't good enough yet. Let's get to work and get really good."

It can be true in some cases. There's an agency in my city that has a number of bars signed up to contracts so that agency supplies all their bands - mostly bars in hotels who don't know the local music scene and don't want to do the groundwork.

This particular agency will sign its bands to ridiculous contracts wherein they owe the agency a percentage for THREE YEARS if they ever play in any club the agency puts them in just once.

I just finished a run of gigs at a bar with a local guitarist who played at this bar ONCE under the agency, then booked a weekly gig with bar on his own - and 15% came right off the top for that agency, who did nothing to book that gig. I'm not even sure if their crazy contracts are strictly legal, but I don't think anyone's ever challenged them on it.
 
Very! Bands good and bad are popping up everyday so you need to stay fresh to stay in the game in my area We have been lucky and are going into our 6th year and already booked for 2012 thankfully.

6 years, that's awesome.

I think one of the things that some don't understand is that it really takes time for a band, especially a cover band to get the ball rolling and established. Just because a band seems new because they are just starting to play nice gigs, doesn't mean they didn't grind it out for a few years prior. The top cover bands around here have been around for at least 5 years. IME, the gigs don't start rolling in until you've been around for a year or two.

Congrats for sticking it out, and hope you enjoy the fruits from it.