• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

How did sunburst become the "default" Fender colour?

Status
Not open for further replies.
The question should be how the burst finish became standard on guitars in general over fifty years before, rather than Fender specifically. The burst finish creates the illusion of modeling on a flattop and accentuates the arch on an archtop. For slab-cut electric guitars this sort of faux modeling makes a big difference in look, and I don't see any mystery as to why Fender picked it up.
 
Sunburst, in my opinion, is generally the second ugliest finish on any guitar. The first is sunburst with tort. Yeah, go ahead and block me.

I have asked people why? Some say it's because so-and-so played that colour. Of course that model of bass only came in two colors at the time. Others say it's because they want to look legit to other musicians.

It's not the 1950s anymore, our options are limitless. Step out.

I stepped out!
 

Attachments

  • 4F4E1D54-104D-4D3B-8592-EBC21C46C67C.jpeg
    4F4E1D54-104D-4D3B-8592-EBC21C46C67C.jpeg
    1 MB · Views: 46
  • Like
Reactions: AlanT1959
Solid colors and bursts with an opaque edge hide a multitude of sins, like plyboard.... Found that out back in the early 90's when some buddies decided to refinish an 80's Squire... Sanded the edge and found plyboard. We were all pretty surprised!
 
  • Like
Reactions: Watchootognbout
Really surprised this is not more commonly known - and hasn't been mentioned. re: sunburst Fender finishes.

In the 1950's and early 1960's, when rock & roll and solid body guitars were surfacing - hot rods were also a big part of the youth culture.
A popular hot rod look was painting a 'flame look' on the front of the car and hood - which contained the colors red, yellow, and black.

The 3-tone red, yellow, and black sunburst finish associated with the early Fenders was a way for Fender marketing people to appeal to the youth culture, early rock & roll, and hot rod fans.

These was even a California genre of 'hot rod tunes' in the mid-60's (especially The Beach Boys) - which demonstrated the common link between youth, hot rods, and rock & roll.

Sunburst 'flame' finishes appealed to this growing market - and became the standard Fender guitar and bass finish during this period.
 
Last edited:
to all of us (even if not technically boomers) taking offense (myself included), just popping in with a reminder that post-Gen X/Z folks use "boomer" quite liberally and condescendingly. But consider how much crap millennials have taken for no good reason. I can't blame them for giving it back to us. #avocadotoast

I find it interesting that so many here seem to have such strong emotions about the color of other people's basses. Judgement sure is addictive, isn't it?
 
Fender was trying to market a solid piece of lumber to musicians who were accustomed to instruments that were carved from high grade tone woods. Even the ply basses were finished to minic an old carved bass. So, of course Leo thought they would prefer something that sort of resembled a real instrument.

My first bass was a sunburst jazz, with tort pickguard, and that’s what I mostly have now. It’s not like I care what some kid thinks about it.
 
Status
Not open for further replies.

Latest posts