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How did sunburst become the "default" Fender colour?

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I asked "you know who" about the use of sunburst finish:

The sunburst finish is a classic and iconic design that has been associated with Fender guitars, including basses, for many years. It is believed that the sunburst finish was first introduced by Fender in the 1950s, and it quickly became a popular choice among musicians.

One reason for its popularity may be that the sunburst finish is visually striking and eye-catching, while still being understated and elegant. It consists of a gradient of colors, usually starting with a darker color at the edges of the guitar and gradually transitioning to a lighter color in the center. This creates a sense of depth and dimensionality that is visually appealing.

Another reason for the sunburst finish's popularity is that it has been associated with many famous musicians who have played Fender basses over the years. This has helped to establish the sunburst finish as an iconic symbol of rock and roll, and has helped to cement its place as the default color for Fender bass guitars.

Overall, the sunburst finish is a classic design that has stood the test of time, and it remains a popular choice among musicians to this day.

You Know Who's response about the use of automotive paint was more interesting:

The use of automotive paint on bass guitar bodies is a relatively recent development in the history of bass guitar manufacturing. While some guitar manufacturers may have experimented with automotive paint in the past, it did not become a common practice until the latter part of the 20th century.

One reason for this is that automotive paint technology improved significantly in the 1960s and 1970s, making it more durable and resistant to wear and tear. This made it an attractive option for guitar manufacturers who were looking to create instruments that could withstand the rigors of live performance and heavy use.

Another factor that contributed to the use of automotive paint on bass guitar bodies was the increasing popularity of custom paint jobs among musicians. As more and more bass players began to seek out unique and personalized instrument designs, guitar manufacturers responded by offering a wider range of custom finishes and colors, many of which were created using automotive paint.

Today, many bass guitar manufacturers use automotive paint on their instruments, both as a way to create unique and eye-catching designs, and as a way to ensure that the finish is durable and long-lasting. In fact, some manufacturers even offer custom paint options that allow customers to choose from a range of automotive paint colors and finishes to create their own unique bass guitar design.

I'm a retired college woodworking instructor who specialized in wood finishing.

I see sunburst finishes as a great way to make bland, inexpensive, wood species (e.g. poplar, alder, paulownia, basswood, et al) look attractive at a reasonable cost.

Attractive, affordable, Camouflage, if you will.

Opaque paint shares the ability to make instruments made with affordable wood products look appealing at a reasonable price.
 
I like to call it Dad Burst. :cool: It just speaks of a different time.

and so what do you call this 'look'...

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I think "sunburst" (I prefer the terms "2-tone/3-tone burst, myself) was the default finish in Fender's early days for several reasons. Most of which have already been mentioned. But, IMO the main one is, that it was what the musicians back in the day - a rather hidebound group, at least as resistant to new things as lots of us are today - were used to seeing on their instruments. Leo's solid body guitars and basses were novel enough, without trying to convince those guys to play a brightly colored "thing" on top of it. It obviously worked; this finish is still going strong - well, fairly strong, anyhow. And, don't forget; Fender wasn't the only company that finished their instruments this way. Lots of European companies used a burst finish, too (can you say - Hofner?). And, lots of other companies still do...
Personally, I kind of like a burst finish - although, you can keep the Tort pickguard that seems to be de rigueur with it...;) Maybe it's because I'm an old Boomer - a really old Boomer; or maybe it's just because, as a lefty, too? Lots of times, my color choices were limited to Black - or 3-tone Burst. That's all the choice Fender offered me - for a lotta years...:whistle:
 
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Sunburst.......reminds me of cigarettes..... tobacco sunburst. It's just not for me. I like the crazy and different colours. I'm not a hater on people who love this colour on a bass. Tone and proficiency is what is key. Own and play what you like. When I look at the classified of basses online, I'm easily skipping the sunburst ones.

Yes, it's interesting how "tobacco" as a colour designation was used, which was essentially dark black-brown. There were also many black halo'd bursts, and a variety of sub-shades in between. As someone mentioned earlier, it most likely was a way to enhance visual depth - from night to sunrise so to speak. If one studies the history of colour seriously, this is not a stretch. It also visually defined the shape/form of an instrument which in many ways was based on a curvaceous feminine theme.
 
When I was in my 30’s, I legit laughed out loud when somebody called it old-man burst. 15 years later, I’m an old man and I’m own a ‘burst Precision.
Took me all those years to shed my prejudice, as my first bass was a horrible shortsickle knock-off P with a Sunburst finish that went from black, immediately fading into mustard yellow.

It's a right of passage..
Seeing as Fender started doing sunburst in 1954, which was also only about 8 years after the oldest Boomers were born, the math doesn't exactly add up.

Baby Boomer Years: 1946-1964
 
I'm a retired college woodworking instructor who specialized in wood finishing.

I see sunburst finishes as a great way to make bland, inexpensive, wood species (e.g. poplar, alder, paulownia, basswood, et al) look attractive at a reasonable cost.

Attractive, affordable, Camouflage, if you will.

Opaque paint shares the ability to make instruments made with affordable wood products look appealing at a reasonable price.
Can’t the same argument apply to solid color finishes? Don’t they also make bland, inexpensive, wood species look attractive at a reasonable cost?
 
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Sunburst in not a "boomer" finish. You knuckleheads have it wrong (again), you should be insulting the previous generation for sunbursts, not boomers. Introduced at Fender in 1954, when most boomers were too young to be buying or even playing guitars. Blame "The Greatest Generation", they came up with sunburst paint jobs on guitars, after they were done fighting WWII and the Korean conflict. Hate on them, instead.

Boomers were responsible for the introduction of Custom Colors, which came along in a big way in the early 60's. Surf colors, metallic car paints, etc to satisfy the boomers' tastes for "something new". Do the math.

You should be thanking boomers for demanding fresh colors back then that you somehow think "someone else" made happen. lol
 
Sunburst, in my opinion, is generally the second ugliest finish on any guitar. The first is sunburst with tort. Yeah, go ahead and block me.

I have asked people why? Some say it's because so-and-so played that colour. Of course that model of bass only came in two colors at the time. Others say it's because they want to look legit to other musicians.

It's not the 1950s anymore, our options are limitless. Step out.
Agree 100%. I have never been a fan of sunburst. I have one sunburst guitar, a sterling SUB with the matte finish and it looks like flat black honestly. That one is getting refinished just because of how much I dislike sunburst. If other folks like it though, that's cool, different strokes and all
 
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It's a right of passage..


Baby Boomer Years: 1946-1964

Yep, my parents are Boomers. I was born in '68 thus I'm Gen X. '46 to '64 doesn't add up to a particularly strong correlation to posit sunburst Fenders because Boomers does it?

Leo probably didn't have an aha moment one day around '53/'54 and think to himself, ya know... those Boomers are coming along and I bet they'll want sunburst!
 
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