• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

How do you play root/fifth/octave on fretless?

...When I played fretless, I would fret the root with my index finger and then bar the fifth and octave with my pinkie. It took more strength, but it prevents intonation problems because fretting two strings with a straight finger is better than fretting those two strings with two fingers.

As long as your finger is straight! :smug:

But seriously, this works for me.
 
Hello,

I just got myself a fretless and I really like it. I cannot play it well for sure, but it does not seem as incredibly difficult as I imagined it would be. However it does require some adjustments of my technique it seems.

Sometimes, if I need to do a quick run root/fifth/octave (in any order) I will tend to use some sort of "power chord fingering": index for the root, ring for the fifth and pinkie for the octave. If the song is not too fast I will typically use index and pinkie, where pinkie moves and plays fifth or octave.

Now I realize this "power chord shape" may not be proper technique, if so don't hesitate to let me know. But in any case, it does not work on fretless as I cannot place my pinkie exactly below my ring finger. So that's why I wanted to know: how do you play such a root/fifth/octave on a fretless?

Thanks! If you have to change your left hand technique, going from a fretted bass to a fretless bass, there is something wrong unless, it's and upright.
Greg
 
  • Like
Reactions: MalcolmAmos
This is what I do on "not too fast" songs. I guess I should practice more to do so on all songs. When barring the fifth and octave, you may have one of the notes ringing out if you don't lift the pressure between notes and I personally don't like this sound.
But I'm NOT barring the 5 and octave. I'm rolling my pinky across the strings, muting the 5 as I leave it. It's good technique to learn how to mute a note ... with the left hand as well as the right.
 
  • Like
Reactions: SteveCS and Atshen
I turn my hand slightly and play with fingertips, fingers are more next to each other, not on top of each other. That's what works for me, but my fingers are pretty thin so maybe I can just get away with it. Like others have said, gotta find what works for you.
 
This might be more work than you're looking for, but I doubt I'll ever come up with a more comfortable method. I'd use the first harmonic of the root for the octave instead of fretting the note. Play the root with the thumb, play the fifth with the middle finger, rest your thumb halfway between the root and the bridge, and pluck with your index finger.

The big obstacle is blending the harmonic with the plucked notes.
 
Hello,

I just got myself a fretless and I really like it. I cannot play it well for sure, but it does not seem as incredibly difficult as I imagined it would be. However it does require some adjustments of my technique it seems.

Sometimes, if I need to do a quick run root/fifth/octave (in any order) I will tend to use some sort of "power chord fingering": index for the root, ring for the fifth and pinkie for the octave. If the song is not too fast I will typically use index and pinkie, where pinkie moves and plays fifth or octave.

Now I realize this "power chord shape" may not be proper technique, if so don't hesitate to let me know. But in any case, it does not work on fretless as I cannot place my pinkie exactly below my ring finger. So that's why I wanted to know: how do you play such a root/fifth/octave on a fretless?

Thanks!
Greg
In the lower positions, if it is ascending root, 5th, octave, I'll play it 1,4 ,4 or 1, 3, 3, or 1, 3, 4. Descending, it's usually 4, 3, 1.

Up higher on the neck It's usually either 1, 3, 3 or 1, 2, 3.
 
I also roll my pinky. I'll finger the 5th with the tip, and the octave with the first knuckle, raising the tip of my finger which mutes the 5th.

I've tried using my ring finger, but I've always had trouble keeping the 5th from being flat.
 
OP is a good question. Fingering matters a lot, especially on fretless.

I also play upright; so, when I started on fretless bass guitar way back when, the first thing I did was use the fingering technique taught in the Simandl upright book. That technique does not use the ring finger in the lower positions. That apparent limitation more naturally places the string stops near to good intonation, due to the ergonomics of the human hand. Of course, that only allows the hand to cover three "frets" without shifting. So, shifting becomes somewhat of an art that has to be studied and learned (my first upright teacher was appropriately way past obsessive about shifting:confused:) A useful guideline is to work out your shifts such that you play at least two notes per shift.

Once you are playing above maybe the 8th "fret," you can go back to using all four fingers on bass guitar.

Rules are meant to be broken; so, certain lines can require fingering extensions.

Anyhow, long answer to the OP: yes, fingering root - V - octave with the pinky barred in lower positions is entirely correct technique.

IMO
 
Last edited:
  • Like
Reactions: Atshen
I am primarily a fretless player these days but my technique is pretty much the same on both instruments. I may use the pads of my fingers for more mwah but I would still voice a chord/triad with three fingers. I think it comes down to you needing practice on your fretting OP. I struggled with chords when I first switched to fretless. You don't realize how much you let the frets correct for you until they are not there. Nothing wrong with barring either. I think @Jloch86 has a point when he says there really isn't "correct" technique.
 
  • Like
Reactions: gregouille23
I fail to see why it would be different for fretless than fretted.

I usually use first finder on root, ring finger on 5th, and little finger on octave, but it's not a critical thing and I may decide to bar the 5th and octave just to change it up (different muscles). Or, I may end up using my index finger on both the root and the octave if it makes more sense to do so as I'm moving to the next chord. Do whatever works consistently well for you and makes the most notes easily reachable.