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Exactly, it's a false harmonic.It is asking you to finger the regularly notated note, then lightly touch the node (diamond notehead) that is located a fourth higher on the same string. When you bow or pluck that string, it will sound a harmonic that is two octaves above the fundamental.
I very often change the position when they're written so low, but that's another can of worms.Thanks. I think the reason I didn't think that it was a false harmonic at first is that I don't think I have played false harmonics on such low notes before.
Same thing appears later as well, here a bit more tricky I would say.
You can leave that can of worms ajar if you have any spare time to spend on TalkBassI very often change the position when they're written so low, but that's another can of worms.
I think I know what happened in this last example. If you cross out the low note, that harmonic is still a sounding b-natural. However, the natural 5th partial is slightly flat, so playing it as an artificial harmonic would solve that problem. Unfortunately, in this example, that solution is wildly impractical unless the tempo is very, very slow. I'd suggest playing the natural harmonic under the E node.
Can I ask how do we know this is a false harmonic? In example 15, it could also be F# on D string in thumb position, and natural harmonic B on the same position on G string, both played as a double stop, right? How do we tell?
How do you finger this? The only way I could imagine is to play the fingered note with the thumb, and open widely the hand to play the false harmonic with the ring finger.It is asking you to finger the regularly notated note, then lightly touch the node (diamond notehead) that is located a fourth higher on the same string. When you bow or pluck that string, it will sound a harmonic that is two octaves above the fundamental.
That’s exactly how you do it. If you have smaller hands, you can try on the E string where the distance is a bit shorter.How do you finger this? The only way I could imagine is to play the fingered note with the thumb, and open widely the hand to play the false harmonic with the ring finger.
I could possibly manage to do this for the high F#. But for the low C?
As Paul suggests as well, the solution I have right now is to finger the C - F harmonic and the B - E harmonic on the E string.How do you finger this? The only way I could imagine is to play the fingered note with the thumb, and open widely the hand to play the false harmonic with the ring finger.
I could possibly manage to do this for the high F#. But for the low C?
It's a violin/viola concerto called Absent Illusions by Swedish composer Fredrik Högberg.I’m curious, what piece is this and who wrote it?