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How Long Should Getting a Band Off the Ground Take?

mancefine

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Jul 7, 2013
255
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Endorsing Artist: Orange Amplifiers and Spector Basses
So, about 6 months ago I joined a band, that when I heard the music, made me very excited because I realized this was the band I'd been searching for my entire musical life. The music is in my favorite genre that I've always wanted to play (Coheed, Minus the Bear esque), everyone is elite at their instrument, the vocalist is amazing, and more over everyone is responsible, available, and committed to the band.


My issue is that we have been practicing 2-3 times a week for the past 6 months and when I joined, the guitarist and drummer had already created very high quality pre-pro. We are all using in ears to play to a click track, are very tight musically, and have been trying to do things the “right way” meaning that we weren’t even going to announce the band until we had high quality music, studio play through videos, a high quality social media and web presence, etc. We’ve even had a very big name engineer listen to our pre-pro and agree to mix and master our album, simply off of pre-pre tracks. The guitarist and drummer go to a recording school to become engineers, and so for each of their “senior projects” they are tracking us in a multi-million dollar studio for free, and then we were going to pay to have the engineer mix and master the album. We have been in the studio for the past month working on tracks, and our plan was to get 3 tracks finished and launch our website in the next two months, promote online, start booking shows, and then when the guitarist has his senior project in July, use that time to track the final album, or the rest of the final album. We had a disagreement because some of us thought that these 3 songs we just recorded would be our “demo” that we would use to start marketing ourselves to build a fan base for our final album and then we would re-record them for the final album because certain members seem to think that the album won’t be sonically consistent if certain songs are recorded a few months apart from the rest of the album, even though we would be using the same gear, same studio, same engineer for mixing and mastering, etc. These 3 songs, which are pretty much finalized and we’ve been playing for 6 months, came out sounding pretty great in my opinion. However, two members think that just because the drummer had a slightly cracked cymbal (which you can’t hear at all in the recording; it’s more like they are saying we can’t use the drum takes simply because they know a cymbal was cracked when he recorded, not that you can hear it or that the take is bad) that we should completely now scrap these tracks and put everything on hold until we record the final album. We keep making plans and they keep pushing them back using the argument that we rushed something, even though the songs came out sounding amazing. I feel like we’ve been in the woodshed for so long with no public opinion on our music that we are second guessing everything we do and holding it to this invisible bar we’ve set, and no one really knows where the bar is at anymore. I definitely do want to do things the right way, but I think there is a point where waiting does more harm than good and especially there is a point when bands just need to get out and play and share their art with people.


Our singer told me yesterday that it was foolish to release one version of the three songs and then release them again 5-6 months later. I suppose I agree with that, especially since we were originally considering paying the engineer a decent sum to mix and master the 3 songs, and would have paid him again to mix and master the “final versions”. However, I’ve always noticed that most bands starting out typically almost always have a 3-5 song EP with songs that are eventually on their first full length. The vocalist and guitarist seem to now think that we need to scrap everything we’ve recorded over the past month, not launch any media or even announce ourselves as a band until after we’ve finished the full length. Which means it will now be at least October or November before we even announce ourselves, much less start playing shows. That would mean I would have been in the band for almost a year and a half before we even went live. I feel like we are second guessing ourselves and getting cabin fever a little bit. Their rationale is that “well, what if these songs change, and there’s no point in releasing the same songs twice”. I guess I see what they mean, but my argument is why not fix the small errors in these quality takes, get them mix and mastered by the engineers, and then use these songs for the final album as well? We can stagger release them over the coming months so that we can establish a fan base who will actually want to buy our album. Plus, releasing a few songs to the public would be a good test to see if we get any general consensus’ about our music that may make us want to change something for the final album. Waiting for anyone to hear us until we’ve already recorded a full album seems like we are putting all of our eggs into one basket without getting any real feedback from anyone other than our close friends. Not to mention that it took us our drummers whole senior project time to track 3 songs and half ass 2 others we know will never be released, so trying to do 10-11 songs when our guitarist has his project is a huge risk. So, after writing this novel, my question to you guys is, do I just need to chill and go with the flow? Is it pretty common for bands to take this long to get off the ground? Is it a to each his own sort of situation? Or is the band being overly anal and second guessing ourselves too much? Has anyone ever taken a year and a half (after all members were assembled and you had guitar and drums for 7 songs) to even announce your band, much less play a show? Does staying in the woodshed that long do more harm than good?
 
Every case is different, but it seems like your bandmates are afraid to pull the trigger. Nothing will EVER be perfect - you will always hear mistakes. Bands have written, rehearsed, and recorded full albums in less time than that while out on tour.

Suggestion - take the tracks to some people you know whose musical tastes you trust.
 
Maybe compromise and wait until after the guitarist's project is complete before you start marketing the band? It seems like your band wouldn't have time to do much besides the song writting before that anyways. As for changing the songs, I would probably leave them as is, but then change them up a bit when playing live to add some variety.
 
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Everyone seems to think that the more preparation we do that we will get better shows sooner. But how long is too long? We will have to play tons of shows regardless. Most labels won't sign you until you've toured a decent amount. It seems like we are really just setting ourselves back by not multi-tasking.
 
My current band played for a month or so before they played their first gig, which I happened to be at. I joined the next day and we played two more shows 7 days later. Here we are almost two years later getting paid to play original music in a highly competitive market. What did we all have in common? Experience and confidence. We've played 60 shows in 20 months.

Get out of the studio and on to the stage my friend.
 
The is no one size fits all answer. For a club band, where everyone has been around the block and knows the material, two weeks might be too long. For a Yes tribute band, six months might not be too long.

In your situation, IMHO now is too long. If you have the material and it's tight, you are ready to play. You will get more tight in a couple gigs than you will in a couple of MONTHS in the basement.

You don't need a CD, website, fan base, t-shirts or anything else to start gigging. Just get out there and the rest will follow.
 
mancefine
Your band is suffering from a case of "can't see the forest for the trees".
You (as a band and you individually) need to step back and take stock.
Seems a lot of work and money is going into these recordings. That's cool.
Like bignote alludes to above, recording can go endlessly. You guys need to come to a point and say their "good enough"
Play some shows. Get out there. Enjoy your music. Get tight live. Build onstage chemistry.
These things are important too to feel like a real band.
 
I once quit a band because two members kept saying we weren't ready. The rest of us had just come from another band that had broken up after gigging for a couple of years and disagreed. We already had an agent who paid for a promo video shoot.

Before I gave my notice we had all agreed to play a wedding for a friend as a low-profile warmup and I honored the date. After the wedding those two guys told me they had changed their minds, we were ready after all but it was too late, I was committed to a band that already had two months of gigs booked.

The new band rehearsed only twice before our first gig (which was a little shaky) but practiced every Monday night for the next six years. With paying gigs every week, we were all happy to keep rehearsing.
 
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The is no one size fits all answer. For a club band, where everyone has been around the block and knows the material, two weeks might be too long. For a Yes tribute band, six months might not be too long.

In your situation, IMHO now is too long. If you have the material and it's tight, you are ready to play. You will get more tight in a couple gigs than you will in a couple of MONTHS in the basement.

You don't need a CD, website, fan base, t-shirts or anything else to start gigging. Just get out there and the rest will follow.
I do think having this stuff is important. BUT we already almost have it done and were on a good pace to get going by May or June latest. Now it's all scrapped.

See, that's what I can't seem to get across to anyone. In my experience, playing even just a couple shows tightened up the band and solidified it better than months of practice did. My bandmates keep saying "No one is waiting on us but ourselves", but I'm still very hesitant to record an entire full length before we've ever even played a show together.
 
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The perfect is the enemy of the good. Try to get everything perfect and you will never ever release anything good. Look at the classic bands of the 60s and 70s - they cranked out an album a year, sometimes two, while constantly touring. They'd write new songs on the road, hit the studio for a couple weeks to record them, then back out on the road again. Usually the songs would evolve in live performance into better versions than the studio tracks. Book a gig, and go into it with whatever you've got, ready or not. That's the real route to becoming a great band.
 
Everyone seems to think that the more preparation we do that we will get better shows sooner. But how long is too long? We will have to play tons of shows regardless. Most labels won't sign you until you've toured a decent amount. It seems like we are really just setting ourselves back by not multi-tasking.

You also need to prove yourselves in a live environment before you get better gigs. You can might sound great on a recording (where you can erase every single mistake) and totally suck live. I'm not saying that's the case, but it think you know what I mean.

My last originals band rehearsed 3 times a week for years. We played 4 gigs opening for some big bands in our genre and released one album, whoop de do. The drummer always wanted to rewrite the old songs, to the point that we got nothing done. Then he wanted to "perfect" them before we played out again. It was a total waste of time. I left, then shortly after that the lead guitar left. All that remained were the two guys that were never in a band before and the drummer.
 
Yep, that is usually the fate of bands that can't break free of this problem. Not only from my own experience but I have seen it time and time again with other bands.

There is a point that you have to say "It's Done!" and get on with the mission. Don't feel bad, even the pros suffer from this but they usually have other people and pressures that keep it in check.
 
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Play live. Everywhere. Anywhere.

No great band was ever built in a studio. The fact that you are trying to record anything more than a demo designed to get you gigs should have you worried as hell.

Get a couple hundred gigs under your belt to get tight and 'real', then hit the studio.

American Idol and The Voice have really ruined the way that bands expend their effort.

Trial by fire is the only way that always works. Either you'll be good enough to sustain a level of success, or you won't be. Handwringing over some potential album before you've ever played live is not only backwards, it'd bore me to tears.

YMMV.