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How many 35 Scale basses?

I have five 34" scale basses, one 35" one, and one with an 18" scale. I alternate between them without problem, and also alternate between guitars with a 24.75" scale and ones with a 25.50" scale. It's simply a matter of paying attention and not letting your mind tell you the difference is a problem.

I took a little while to get use to the 35" 5-string, but after a few days of focusing on that bass it was OK. The 18" scale Ashbory is more of a problem for two main reasons. One, I just don't play it very often, and second, because the body doesn't balance well at all so I also have to keep my hand in a position so the instrument doesn't move much.

Just play and it'll be alright. But play with proper technique to minimize hand problems, and play with the mindset that you can do it. Don't wimp out.

John
 
The only difference I ever really noticed was in sound. My fretless 5 is 35" and the B is much improved. My fretted 5 and all my 4s are 34".

I have reasonably big mitts, so unless I'm really stretching for something I don't really notice, but the low B is much tighter and the open strings sound much more open on a 35" to my ear.
 
I've got a 30", 3 34s, and one 35". I didn't even notice that it was a 35 until someone on TB pointed it out to me.

I suppose some people are more sensitive to scale than others, but I've got pretty average-sized hands, and I still don't notice except when I'm changing strings.
 
Four 35" and three 34" of my electrics. All the 35"s are 5-strings, the 34" are 4-strings - I didn't plan it, it just happened to work out that way. All my 5s (Spectors and a Mike Lull) are pretty comfortable ergonomically and are designed with the bridge near the back of the bodies, so there's very little problem with "reach" for me except in the case of one old song I still practice which is 3/4ths in F so I'm spending 3+ minutes of a 4:24 song in First Position playing a wonky hammer-on/pull-off riff. :spit:

As for fretless, my first "Good" fretless was 35" as well, so I've grown up as a player in that scale length and getting my 35" Spector was hardly a big deal. Any issues intonating down low is mitigated but the sheer tone it has, and I may pick up a FretFX LED kit to give a bit of help in that area.
 
I have found 34" scale basses to be fatter sounding on the D G strings as well. No question. The trade off for a better B is not worth it in my opinion as there are better 34's now than before. Just my preference.

I DO feel a difference in scale, especially on the first 5 frets and I don't dig it anymore. Had to sell my MTD for that reason alone after picking up a Fender V on a whim and realizing I was MUCH more comfortable on it.

However my 35" scale Cort with 24 frets and a very fast neck seems less a factor than my MTD was, and I'm not sure why.
 
If D & G strings sound fatter then I am certain that can be achieved on a 35" using EQ


I have found 34" scale basses to be fatter sounding on the D G strings as well. No question. The trade off for a better B is not worth it in my opinion as there are better 34's now than before. Just my preference.

I DO feel a difference in scale, especially on the first 5 frets and I don't dig it anymore. Had to sell my MTD for that reason alone after picking up a Fender V on a whim and realizing I was MUCH more comfortable on it.

However my 35" scale Cort with 24 frets and a very fast neck seems less a factor than my MTD was, and I'm not sure why.
 
Your point has merit, but also consider the fact that EQ'ing also affects the thickness of the B and E string. In the case of the basses I have played, that kind of EQ'ing would actually just create other issues.

The dynamics of string vibration and the width of the path over the pickup is not something you can address totally with an EQ. Otherwise we would all be happily playing 34" scale basses with special EQ's just for the loose B string?