I like to joke about using 2 215 cabs stacked up shoulder/ear-height here a lot. Part of being in an originals band is being below Blue Collar- being a No Collar mover & driver for short 30-70 minute sets. Suffering for a whole 40-300 seconds of bringing your cabs in and then 40-300 seconds bringing them back out is part of the art and you're taking a shortcut if you sensibly use a handtruck.I mean, if I had Cisneros money my roadies would do the moving![]()
Working in most genres, a key feature of the art performance is literally-unhealthy Sound Pressure Levels. A key feature of Doom is totally obscene SPL's- the kind that'll have many club owners tell you to cut it in half unless all of your fans are buying whole bottles of the most marked-up booze in the house and emptying the whole beer stash.
You could try to have low stage volume and just use a Rumble 100 combo and let the PA do the Dooming (maybe paint a few sheets of plywood up to be fake Marshall/Sunn/Ampeg stacks for the stage?), but then you'd have to already be best buds with the club owner to get them to tell the sound guy to Doom it up till the cops come.
By going to non-obscene SPL with a non-huge cab stack and typical unknown-band PA support, you'd be doing Diet Doom, Doom-Lite, or just Melancholy. Garage-Doom? Doom-Garage?
Tinnitus sucks, but getting your art compromised sucks also.
Good luck figuring it out and be safe.