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I'd approach this author's 3rd point (delayed/anticipation...) very, very carefully. It's the bassist's job to keep things on the beat (in swing style) so that other instrumentalists, whether they are comping or soloing, can explore delays, anticipations, etc., and have a solid "1" to work off of.Hi SXWr check out Invalid Link Removed, it will definitely give you valid pointers and open up new ideas to keep your bass lines interesting.
I suppose , what I notice is the DB players that double on BG don't really utilize the upper neck and closed position play. Patitucci with the six string plays mostly closed of course he uses open strings but he doesn't need too.There's nothing wrong with open notes on EB - the only time it really matters is possibly in a very slow walk where you can hear the difference. I'm covering some stuff right now where Will Lee was the bassist and I was trying to play quick licks in a fixed position. Then I saw a vid of Will playing it mostly open strings. Much easier!