Turnaround
Commercial User
Might try a no-load tone pot. Takes itself and the capacitor entirely out of the circuit when it's wide open.
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get a good preamp or a multiband EQ to shape the sound to get what you want....these rack mounted units work great and are inexpensive.......https://www.musiciansfriend.com/amplifiers-effects/tech-21-sansamp-rpm-rackmount-preamp........................dbx 131sOk so I absolutely love my Squier CV 60s Pbass(Fiesta Red/Tort) which I recently acquired. I have been trying to coax a bit more treble out of the G string area but it doesn't seem to have that burp treble of the jazz bass, which makes sense of course and many would agree with. I have thought of a few options and yes- I have raised the pickup closer to the G and have messed with the Eq on the amp, and have boosted the tone on the bass itself. So have any of you managed to be successful with this? Possible options:
-Change the pickup to a Fender 60s/vintage
-Change to maybe TI Jazz flats(currently strung with Labella Low tension flats)
-Add a J pickup(which would destroy the originality of the bass)
-Just get a Jazz bass..(not an immediate option but will be at some point)
What are your thoughts and/or personal success stories?
+1 Just be aware the tension will be higher.If rounds are too bright try a set of GHS Pressurewounds as a step up. They're a round wound type with an outer wrap that's much smoother, easier on the fingers, and produce less string noise. Not as mellow as flats or as bright as rounds.
It doesn't sound like he necessarily wants a "bright" sound. It sounds to me like he wants a "quack" instead of a "clack." The "burp" he's talking about is the exact difference between a P and a J. Precision basses are round and low mid based. Jazz basses are tight and pronounced. Instead of warm mellow notes with the tone knob adding the twang from the strings (Clack), you actually have twang in your notes themselves (Quack). Jazz vs Precission. Want one or the other, you have to have one or the other.The reproducible EQ limits of the instrument are however not in your hands. Also, funnily enough, to get the brightest sound he can out of it, he shouldn’t use his fingers- he should use a pick![]()
Yeah I am looking for the smooth yet bitey treble with the tone control completely off...not so much clanky but jazz-like
Whatever The Ox used for Live at Leeds? That's one trebly P Bass!
What are your thoughts and/or personal success stories?
You could agree with the pick concept—Wish I could agree with the pick but never really used one and not really comfortable with one either![]()
Whatever The Ox used for Live at Leeds? That's one trebly P Bass!