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Nope, Augusta GA...Still in NYC?
I've actually apologized a couple of times, since it's got a face I feel bad standing it in the corner...Hmmm, reminds me of my days in elementary school. I had a pointed hat on though.
Sheeeeez.Nope, Augusta GA...
Yeah, both here and in Columbia SC (about an hour away). There's a guitarist who I've played with for over 40 years, who got me into this music, and a few others here. Columbia has a pretty vibrant music scene, I've got a gig up there next Saturday with this guitarist Amos Hofmann, who moved down form NYC a few years ago. There's a nice trumpet/flugelhorn guy, Tim Leahey, just retired to Columbia from the Air Force band Airmen of Note, plays great. Plus the cats I've done those two concerts with , Jonathan Lovett and Jay Ware are around and available. Both USC Columbia and Augusta University are bringing in national and international level cats ( Jimmy Owens Quintet, Houston Person Quartet, Peter Bernstein Quartet, Sullivan Forntner, Chris Potter {who's from Columbia}, Kenny Barron, Veronica Swift, etc.), Wycliffe Gordon heads up the jazz program at Augusta University.I mean, it ain't NYC, but what is?Sheeeeez.
Do you know players or just showin' up?
Man. You make it sound pretty hoppin'. My field of vision is affected by Maine. People do come to visit, but we acknowledge that they trekked to get here.Yeah, both here and in Columbia SC (about an hour away). . . I mean, it ain't NYC, but what is?
Ed, I think that you bring so much that your work will be meaningful no matter where. But it's great to hear that you're well-landed . . . "Fired up and ready to work!"I've maintained enough currency on the local music scene to still be meaningful/
Do you know the statement of Arild Andersen about transferring to a detachable, made by Jean Auray?A bold step! Do you hear any sonic difference?
Yes on both counts...We are mutual friends with Clare Daly on Facebook, Ed. Did you go to her show on Savannah? Sit in?
Yeah, Brett Belanger was bassist on the gig. Clare, me, and my friend Matt had a nice hang before the show, she's Good People! And a wonderful player.Great picture! That isn’t your bass, of course. Looks very shen-like.
I like Clare very much, and her playing too. She endorses Jody Jazz mouthpieces, and he’s based in Savannah, but she would sound good on anything.
View attachment 4113880 In the “Vot’s Nu” department, the neck case fits in the overhead bins of even small regional commuter jets and the body in the case is only 46 pounds and 94 cumulative inch volume , so no baggage charges!
Here's the only fly in the ointment I see. Suppose you live on the East Coast and plan to fly to the West Coast for a tour. You disassemble your bass and pack it up. Then, when you get to the first gig you put the bass back together. Presumably you would want to leave the bass assembled for the remainder of the tour. What's the plan?
Depending on how you will be traveling and transporting the bass on tour, perhaps a soft case could be used. With some bands my bass traveled in the buss where it was relatively safe in a soft case, and with some bands it traveled in a cargo truck, where a hard case was required.
Breaking it down and rebuilding my Chadwick is nicer than worrying about what the borrowed bass will be and if it will make it in time! If that is true for me, then I am sure it goes double for those with the high end options like this. Still less time than a drummer takes to set up.
Yeah, it is certainly a concern. I have flown to Dallas with my Chadwick and then put it without a case in a laid back passenger seat for gigs around Texas. Not all that recommendable for the Chad, unthinkable with a fine instrument like this. You could always ship a bag ahead of time. Big shots can put a bass bag and case storage on their tour rider! The Messina bag sounds like a strong option.I am not arguing against any of these points. I think it would be a huge advantage for some players to be able to able to break a bass down, fly cross country, and then put the bass back together and tour with it.