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I have to be missing something (DIY HPF)

I started doing some research on building a DIY HPF and I must be missing something. It seems like this is way too simple....

I'm considering putting it in the effects loop of a Fender Bassman 100 combo. The manual says the effects send is 1kΩ. Using the RC High Pass Filter Calculator, I can use a 4.7uF capacitor to cut around 33hz.

So I can simply solder a $0.59 capacitor in the middle of a patch cable and join the HPF club? It sounds too easy.
 
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I started doing some research on building a DIY HPF and I must be missing something. It seems like this is way too simple....

I'm considering putting it in the effects loop of a Fender Bassman 100 combo. The manual says the effects send is 1kΩ. Using the RC High Pass Filter Calculator, I can use a 4.7uF capacitor to cut around 33hz.

So I can simply solder a $0.59 capacitor in the middle of a patch cable and join the HPF club? It sounds too easy.

Yep, there's no free lunch. First off, that's a 1st order filter and you typically want third or fourth order. And a higher order passive filter will be quite lossy, so an active solution is generally preferable. The schematic for the fDeck v3 linked above has a few features you can probably do away with for your application, but it'll give you a pretty good idea of what's actually necessary to "join the club."
Yel_wink.gif
 
Yep, there's no free lunch. First off, that's a 1st order filter and you typically want third or fourth order. And a higher order passive filter will be quite lossy, so an active solution is generally preferable. The schematic for the fDeck v3 linked above has a few features you can probably do away with for your application, but it'll give you a pretty good idea of what's actually necessary to "join the club."
Yel_wink.gif
Charlie knows his stuff. :thumbsup:
 
Yep, there's no free lunch. First off, that's a 1st order filter and you typically want third or fourth order. And a higher order passive filter will be quite lossy, so an active solution is generally preferable. The schematic for the fDeck v3 linked above has a few features you can probably do away with for your application, but it'll give you a pretty good idea of what's actually necessary to "join the club."
Yel_wink.gif

Thank you so much! I appreciate someone with a brain helping an idiot like me out :)
 
Thank you so much! I appreciate someone with a brain helping an idiot like me out :)

Idiots don't tend to ask good questions like you did, at least in my experience. And the whole HPF thing is quite non-intuitive for a lot of people. Even though I've been using them for a very long time in other applications, and even for bass, when I included one in my first modern era bass amp build I still wasn't quite sure I was doing it right.
Yel_wink.gif
 
I believe their bass EQ is a shelving control rather than a bell, so it’s affecting everything from 80hz and below. I could be wrong though as Fender EQs have often been very unintuitive (ie 2-10-2 being flat on some models).

Theoretically I suppose you could make it more of a "bell" shape by boosting 0-80hz with the shelving Bass control, while also cutting below 33hz with a HPF?
 
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Theoretically I suppose you could make it more of a "bell" shape by boosting 0-80hz with the shelving Bass control, while also cutting below 33hz with a HPF?

Yep, that's actually my favorite sort of application for a variable HPF. It's an old trick, Pultec EQs are one venerable example.
 
Yep. It would be a bell with a pretty wide Q.

Yep. Here's a model from one of my DIY amps, bass at 6/10 and HPF swept across its full range, which is roughly 25-120Hz:

PW7_1_1_HPFvsBassControlat6_4.jpg


And then bass control cranked to 10/10, HPF fully swept again:

PW8B_HPFsweep_BassCranked.jpg
 
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Cheap but do they do the same thing ?

Nope. It'll only provide what's known as a "6 dB / Octave slope at the corner frequency". In this instance the corner frequency is fixed at 80 Hz. A good HPF will have a much steeper slope and usually a variable corner frequency. Particularly for speaker protection, the idea is to have as much of a signal decrease as possible as quickly (in terms of frequency) as possible. The car wants to stop hard and fast.
 
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