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I need help... lost in my settings

:help:So I love bass(duh), but I don't have much experience with amps and tone adjustments. I have a decent rig and play shows all the time, and was quite happy with my tone, but recently went from a 5 string in standard down to a 6 string for the extra F#. The low end now seems quite muddy and not too distinguishable. If anyone out there has any suggestion of how to harness that really low tone without loosing the clarity in the highs, it would be very appreciated.:)

I play prog btw

Amp:
Ampeg SVT-3 Pro

Effects loop (in order):
BBE Sonic Stomp
Dbx 266XL Compressor/Gate
SansAmp Bass Driver DI
ISP Technologies Decimator Noise Reduction Pedal

Cabinet:
Ampeg Classic Series SVT-410HE

Basses:
Ernie Ball Music Man Music Man S.U.B. 5
and
Douglas WOB 826 Black (Tuned F#-B-E-A-D-G)

If you don't have a suggestion let me know what you think of the set up. Thanks
 
That low on a 34 or 35" scale is going to sound muddy, you don't have the string tension to keep the tone tight and directed. Think about a bass with a longer scale length.

You're fighting an uphill battle, but if you're ok with that, start with your amp set for as neutral/flat as possible and add/subract from there. Also, with that frequency range, you're going to want to think about a high wattage amp and some speakers designed to produce a wide frequency range.
 
If you are using a standard six string set you'll probably not have too much success. You should look for proper strings for that tuning - they are available but rare.

You also have to look at your amps and especially your cabs. Most commercially available cabinets start dropping their response around 40-60Hz. They are incapable of reproducing an F# with any authority. I have detuned one of my sixes to A, which my Acmes had no problems with but you are two tones below that. I guess you should research what players using ultra wide range instrument are using. Billy Dickens has a nine string with an F# IIRC. Possibly Chapman Stick players would be others to look at.

Paul
 

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