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I tend to like narrow spacing. All of my custom stuff has 16.5mm.It caused me problems, but eventually just naturally made adjustments to my technique. I still think the string spacing is too tight, the neck a bit on the skinny side for my liking, but it's stopped being an issue for my playing.
I’d love to have one, but a real EBMM stingray is a rare sight these days. The market is simply flooded with Sterling models.
Also, I’d want a fretless burst one but the last time I checked around they don’t even make a fretless anymore.
Enjoy!!Well, my Ray24CA arrived on Monday and I have been playing it off and on over the last few days.
The fit and finish is actually quite nice. The frets are dressed par for this price point. I may polish them when I change the strings. No dead spots on the neck at all. The action is right where I like it. The tort pickguard that came on it is getting replaced with a white pearl one (I love tort on sunburst, black, red and some whites, but NOT on blue).
Tone wise, it sounds like a Stingray, but I do plan to rewire it to be in parallel instead of the stock series wiring. Not sure why they did that. Looks, plays and sounds great. So, this seems to be my solution to my problem.
Overall, I am more than happy with what I now have. I REALLY like the 2-band EQ over the 3-band EQ Rays I have played in stores.
Welcome to the land of Stingray's have fun.Well, my Ray24CA arrived on Monday and I have been playing it off and on over the last few days.
The fit and finish is actually quite nice. The frets are dressed par for this price point. I may polish them when I change the strings. No dead spots on the neck at all. The action is right where I like it. The tort pickguard that came on it is getting replaced with a white pearl one (I love tort on sunburst, black, red and some whites, but NOT on blue).
Tone wise, it sounds like a Stingray, but I do plan to rewire it to be in parallel instead of the stock series wiring. Not sure why they did that. Looks, plays and sounds great. So, this seems to be my solution to my problem.
Overall, I am more than happy with what I now have. I REALLY like the 2-band EQ over the 3-band EQ Rays I have played in stores.
G&L Kiloton?I am going to start by saying that I am what you would call a researcher...an informed consumer.
That being said...
I would love to get myself a Stingray, but there are some factors feeding into my decision making process that I'm to the point where I absolutely cannot seem to make a decision.
I think at this point I am 'overinformed' and unable to decide what to do.
Part of my problem is that all of the new breed of EBMM and SBMM Ray34 basses all have roasted maple necks. I absolutely despise the look of it. I just can't bring myself to accept it...and some of the color combinations that minimize the look of the roasted maple necks are not ones that I get super excited about.
Yes, one option is to try and lay hands on a much older EB or SBMM that didn't use the roasted maple necks, but all I am finding are SUB series basses...which could be an option (see below) or basses that are going for $3000-$5000 or more, and I'm just not going there.
I have read probably 2/3 of the way through this thread (and pretty sure my brain oozed out my ear at one point from information overload):
Music Man sound and pickups
I have also watched some superb YT videos where they do a direct comparison between a EBMM and SBMM basses.
I have also watched countless videos where they take SUB series basses and upgraded them to try and achieve this sound or that sound and seem to be pretty dang successful. There's even one out there where a guy took a Squier Precision bass and turned it into a VERY convincing sounding copy of a pre-CBS Stingray!
I have read COUNTLESS threads on various forums where you will get supportive arguments for either/or. Some saying you just gotta save and get the EBMM. Some that say you can get most of the way with the Ray34. Some that even say you can get a Ray4 and upgrade the tuners, pickup and preamp and nail the classic late 70s MM tone. There was even one post I read (not sure which forum that was on, now) where a guy said he bought a EBMM and traded out the pickup and preamp to get the classic 70s tone over the more modern sound of the stock bass. <shrug>
Options I have considered:
1. Buy an EBMM Stingray and learn to live with the roasted maple neck.
2. Buy a Ray34 Stingray and learn to live with the roasted maple neck and upgrade the tuners (which seem to be a weak point from most of the threads I have read).
3. Buy a Ray24CA (which seems to be this bizarre mix of configurations with a jazz bass nut width) and upgrade the tuners, pickup and preamp.
4. Buy a Ray4 Stingray (which also has the jazz bass nut width) and upgrade the tuners, pickup and preamp, and possibly the bridge.
5. Buy a custom body and neck from Warmoth and build it out with the pickup and preamp.
From the thread referenced above as well as other sources, "the" pickup to get for that classic tone is the Nordstrand MM4.2 and pair it with the East MMSR 2 band preamp. With options 3-5, this is what I would do.
Options 1-4 give me the look as well as the sound in the end (maybe? Opinions vary...). Option 5 gives me the sound with the flexibility to make it look however I want. I have to admit, though, that part of my desire is to also have the look as well as the sound.
I think I have been down every rabbit hole with this, trying to come to a decision and I absolutely just can't seem to get there. I feel like there are too many options to get there, all at various price points, and to be honest, none of them get me exactly where I want to be...and after almost 2 years of research, where I have gone from option 1, to option 2, back to 1, then considered 3, then back to 1, then to 2, then thought about 4, then option 5, back to 1, back to 2, then to 1 again, then...you see where I'm going with this? For TWO YEARS!
Recently I have gotten to the point where I have come up with what I am calling "option ZERO"...where I just throw up my hands, walk away and just forget about the idea of getting a Stingray until one more or less falls in my lap that ticks off all my boxes for a price I'm willing to pay (which is pretty much the EXACT way I scored my Ric).
With the way things are going with my brain on this, I'm fast approaching option zero...

Well, my Ray24CA arrived on Monday and I have been playing it off and on over the last few days.
The fit and finish is actually quite nice. The frets are dressed par for this price point. I may polish them when I change the strings. No dead spots on the neck at all. The action is right where I like it. The tort pickguard that came on it is getting replaced with a white pearl one (I love tort on sunburst, black, red and some whites, but NOT on blue).
Tone wise, it sounds like a Stingray, but I do plan to rewire it to be in parallel instead of the stock series wiring. Not sure why they did that. Looks, plays and sounds great. So, this seems to be my solution to my problem.
Overall, I am more than happy with what I now have. I REALLY like the 2-band EQ over the 3-band EQ Rays I have played in stores.
!!As a service to all, before and after shots would be nice.I will after that pickguard gets changed. To be honest, I find it rather unattractive right now. For me, tort just does NOT belong on blue! Yuck. LOL
As a service to all, before and after shots would be nice.
Well, my Ray24CA arrived on Monday and I have been playing it off and on over the last few days.
The fit and finish is actually quite nice. The frets are dressed par for this price point. I may polish them when I change the strings. No dead spots on the neck at all. The action is right where I like it. The tort pickguard that came on it is getting replaced with a white pearl one (I love tort on sunburst, black, red and some whites, but NOT on blue).
Tone wise, it sounds like a Stingray, but I do plan to rewire it to be in parallel instead of the stock series wiring. Not sure why they did that. Looks, plays and sounds great. So, this seems to be my solution to my problem.
Overall, I am more than happy with what I now have. I REALLY like the 2-band EQ over the 3-band EQ Rays I have played in stores.
Is that the same 2 band from the old USA models?
I’m curious…specs on the Ray25CA show a Ceramic pickup stock. Yours had an AlNiCo?I went for option C, a Ray25CA upgraded with Hipshot Ultralights, John East 2 band, and Seymour Duncan SMB5D. Note - that's the ceramic pickup. I thought the combination with the Alnico was a little too vintage for my taste. This combination sounds almost exactly like my pre EB Cutlass 1 did. You'll probably want to replace the pickguard too. It completes the look. View attachment 5067061
The stock pickup is ceramic. It's much better than the standard SUB Ray pickup.I’m curious…specs on the Ray25CA show a Ceramic pickup stock. Yours had an AlNiCo?
Did you get a WD pickguard for an EBMM Classic 5 for the pickup shape, since the OEM pickup has the “ears”?
I have the SMB-5D along with a set of UltraLites in a box waiting for a Stingray 5-type project, and I haven’t considered the Ray5CA as a platform.
How do you like the pickup? I bought one after only hearing the 2 or 3 [good-sounding] samples currently available on the ‘Tube.
Did you get a WD pickguard for an EBMM Classic 5 for the pickup shape, since the OEM pickup has the “ears”?