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I think it has a lot to do with the fact that they have (mostly) avoided traditional designs for a couple decades or more. Think about it. Likely 9 out of 10 endorsed bass players play some sort of Fender, a Fender clone, or a bass that is clearly influenced by Fender designs (which includes most Lakland, Sadowsky, Lull, Ernie Ball, etc. basses). A good portion of the rest are divided by Rics, Hofners, and other traditional designs.
As for the body style of most Soundgear basses, Warwick and Spector occupy that same space. Sure, there are differences. But there are more similarities than differences. And if you're famous enough that endorsements are even an option, and Spector and/or Warwick are knocking on your door, Ibanez won't win that battle. For some reason, there's more status attached to those two companies.
Think about those who have bounced around from company to company. Steve Baily got Aria early on (when he was only known to true bass dorks like me), then Fender, then Warwick. Would Ibanez have made him a bass? Absolutely! But Fender and Warwick have more status attached to them.
Stu Hamm was probably a great fit for Ibanez. But he went with Fender (until his popularity dried up and then it was Washburn, if I recall). Now Warwick, for some reason. I feel like that was an emotional decision rather than business.
Lastly, for so long, Ibanez positioned itself as a "rock guitar company". During the 80s, they very much went after rock and metal guitarists and bassists. So, for many, that's their market positioning. (Yes, I realize they had Gerald Veasley and have had Gary Willis forever. But those are two bass dork exceptions.) And "guitar rock" just isn't as popular as it used to be.
Could Ibanez have made Bootsy a Star bass? Sure! But Warwick was interested.
Could Ibanez have made a superb bass for Otiel or Christian McBride? Of course. But Fodera was interested.
Short version: For some reason there's just not as much "street cred" for bass endorsements and Ibanez. If Fender, Warwick, Spector, Sadowsky, Lull, or any number of other high-end companies are in the running, Ibanez will get edged out almost every time.
So I'll put it back to you, @jonnybass1 … What pro jumps out at you as one who would be a perfect fit for some model of Ibanez bass? What artist jumps out at you as "Why doesn't this guy/gal play a (enter Ibanez model here)? It would be perfect for him/her! It's just silly for them to be playing a (enter company that actually endorses them here)."
Before the flame throwers come out.... I have no problem with Ibanez basses. I did (literally) thousands of gigs on a BTB 5. My current main player borrows several aspects of the BTB in its design. I currently own an early 90s magenta Ibanez pointy bass that I whip out for a few 80s rock songs tuned down to Eb in our set. I'm not saying that I HAVE a problem with Ibanez. I'm just trying to step back and look at the market as a whole.
I think the headless bass they're debuting this year is going to make some serious waves in the prog/metal community.
I guess pro player is a wide open generalization. Because technically I’m a pro player I get paid to play regularly 1-2 a week although it doesn’t pay enough to live off...however I guess I am considering bands or groups that play big venues 1000 people plus regularly sold millions of albums etc.View attachment 3677834 I don’t know your definition of a Pro and I don’t consider myself one at least not at the level of Wooten etc. but I’ve been playing sine I was 16 I’m 59 now so go with that. I’ve always wanted a Fancy wood bass because I always had and have your classics Fender, Lakland, etc. Ive been on the fence for sometime about this SR650E, anyone have any feedback on them? Every time I go to a music store and I see these Ibanez basses or similar ones I try them out and they feel really good and sound and look cool as hell!
Lol 10 years ago there was a chance it could be me...the biggest venue I play now regularly is under 500 people and no albums are gonna be made anytime soonI'd tend to agree with this. I'm not even close to being a prog/metal bassist, but those have piqued my interest. I could see them becoming very popular, and as with everything, lots of it comes down to style - what is currently in and what is currently out.
I remember a time when Ibanez basses in general were much more popular than they are now. Sooner or later, the pendulum will likely swing back in Ibanez's favor (we're right about ready for nu-metal nostalgia to be kicking in).
Anyways, all that it will take is for one bassist to use one prominently for something that goes viral to light the fuse. It probably won't even be from an endorser. Could be anybody, even you, OP!
I have a 2018 SR400EQM that I bought new in August of 18. I gigged it religiously for about 6 months. Now I'm using a 2012 Ibanez SRX2 EX2. Although they are both Soundgears the neck profiles are slightly different. And the basic 2 band EQ on the SRX is easier to dial up a tone I like vs the 3 band EQ and coil tapping switch of the SR400. But the SR400 is still a great bass. And with the quilted maple top, it's the best looker I got too. I tend to get my best "cut through the mix" tones from it running just the neck pup.I know that there are a few pro players who use Ibanez basses. But considering how many they seem to sell and the range of prices they have I don’t see them being played by pros. I just picked up a sr400qm and it playes and sounds as good as my German made Warwick. I just wondering why I don’t see them being played as often...
And they weren't? No, of course not.I sold my previous Ibanez basses (sr1205, sr485, sr300) and bought a Warwick and a Fender because I thought they were better.
I won't be getting rid of my Ibbys. Not to say I won't buy a Fender, cause I did buy a Fender since buying both of my Ibbys. But I still have both of my IbbysAnd they weren't? No, of course not.
Once of the local area "pros" who has impressed me the most when I have been out listening to other bands, uses, get this... an Ibanez, Metallic Roadster Orange, Mezzo SRMD200. It is absolutely insane how well that thing cuts through the mix. I'm sure a lot of that has to do with his amplification. But my jaw dropped the first time I heard him playing it live. I asked him, so why the Mezzo? His response was it's light, it's cheap, it does the job and it allows him to leave the more expensive and harder to replace stuff at home.The lower end models aren't a magnet for pros, but I've seen plenty in use down in the trenches...
(we're right about ready for nu-metal nostalgia to be kicking in).