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Peoples and persons of Talkbass, I hate to say it, but I'm ready to forget about a 5 string as
my 'always' bass.
I bought a nice L2500 in August. I played out with it until the end of October (8 times I'd guess). I've been noodling on it many nights a week since then.
With my 4 string, I could just sit down and play along with any song that popped in my head from my collection or Youtube. I could get 95% of most songs in a short while. I can't just do that with my 5. I mean, I can, but I don't know where I am even though I can cop the bass part and nail it. If I do this on my 4, I know where I am and can easily play outside the box and rejoin the bass part I'm playing along with.
Learning all those songs in my last band with a 5 made me turn into a robot. Yeah, I did my parts correctly and got kudos from the band members, but it was all muscle memory and no feel.
Since I'm 67, I don't have the time to master this strange beast after playing a 4 on and off since 1968.
I'll still keep the 5, but it won't be a full-timer bass. It'll be my 'need it for this song' bass.
You've got all that 4 string in your head and it's getting in the way. The 5 is just such a different board. Completely different mindset, unless you are simply using it as a 4 with a 0.125 thumbrest. I got a 5 because there were simply things I wanted to do that I couldn't do on a 4, and unless you actually have that need I don't think you'll get on with a 5. Because you don't need it.
So you don't need to shift so often, not nearly so often, on a 5. There's an advantage, you'd think, in more notes from one hand position. And it is an advantage. But on the four, shifting up and down the neck to get notes becomes part of your whole relationship with the bass. It's part of your style, your feel.
For me, for many years, the 5 was like waltzing and quickstep, but the 4 was jive and lindyhop. More groove. A more physical thing. And this is still the same now, though to a lesser extent. My fretted bass is 5 and my fretless 4. Love 'em both.
Yep, I noticed a post earlier about thinking of a 5 as a 4 string first and then adding the extra string, and I respectfully think that is completely the wrong approach, it is a completely different board and pallet and the strength is partly in being about to move patterns and then by default have 2 full octaves in a 4 fret span. On the other hand 4s can often get a much more classic sound I find hard to replicate in a 5 - different beasts.
Peoples and persons of Talkbass, I hate to say it, but I'm ready to forget about a 5 string as
my 'always' bass.
I bought a nice L2500 in August. I played out with it until the end of October (8 times I'd guess). I've been noodling on it many nights a week since then.
With my 4 string, I could just sit down and play along with any song that popped in my head from my collection or Youtube. I could get 95% of most songs in a short while. I can't just do that with my 5. I mean, I can, but I don't know where I am even though I can cop the bass part and nail it. If I do this on my 4, I know where I am and can easily play outside the box and rejoin the bass part I'm playing along with.
Learning all those songs in my last band with a 5 made me turn into a robot. Yeah, I did my parts correctly and got kudos from the band members, but it was all muscle memory and no feel.
Since I'm 67, I don't have the time to master this strange beast after playing a 4 on and off since 1968.
I'll still keep the 5, but it won't be a full-timer bass. It'll be my 'need it for this song' bass.
