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My bad, I meant "Tribes, Vibes, Scribes" with RHT (incl. "Colibri", "Change" & "I love what you do for me").
For some reason I was under the impression it was their first album.
Anyway, great stuff.
Randy is one hell of a bass player, and I'm flattered every time I read someone raving about the bass line on Colibri, because, like most of the Tribes, Vibes & Scribes album, it was actually written and programmed by me. To see who played what on that album, see Invalid Link Removed.
Cheers
Richard Bull
Wow! You wrote the bass-lines for "Colibri","NEED TO KNOW", "Closer to the Feeling", "Magnetic Ocean", "i love what you do for me", etc...
Plus, you worked with George Benson, Sister Sledge, Maysa, Basia, etc...
Wow!
(By the way, who wrote the bass-line from "The Way You Love" from "Surreal"?)
Plus, your own "With Everyone You Are".
http://music.cbc.ca/play/artist/RICHARD-BULL
It's just cool!
Wait ... Colibri is no real bass?![]()
It is real bass (Randy Hope-Taylor).
No need to start any "trouble", especially when we had the composer/programmer of that beautiful bass-line here, in this thread:It is real bass (Randy Hope-Taylor).
Randy is one hell of a bass player, and I'm flattered every time I read someone raving about the bass line on Colibri, because, like most of the Tribes, Vibes & Scribes album, it was actually written and programmed by me. To see who played what on that album, see Invalid Link Removed.
Cheers
Richard Bull
'The Way You Love' is my bass and drum programming but the Canadian singer isn't me.
Could you, please, tell us where did you get that synth bass sound from - what keyboard, tone generator, module, etc..?
OK, from memory, it comes from the Bob Clearmountain Percussion & Bass Library, (a 5 string Music Man bass) specifically, the D.I. samples but only 5 of the available set; F1, C2, F2, C3 & F3. They were sampled into an Akai S950, and at the time, I was using Steinberg's Cubase on an Atari Falcon computer. The bass was not 'performed' via Midi keyboard but programmed manually by mouse. Unlike today's bass libraries, trills weren't available, so they had to be mimicked using Pitch bend!
Richard Bull
Playing too slow live tends to 'drag' the song. You want to keep the 'energy up' in a live setting. Watching old clips of Aretha Franklin and Otis Redding taught me that!No need to start any "trouble", especially when we had the composer/programmer of that beautiful bass-line here, in this thread:
Invalid Link Removed
'Colibri'
Maysa Leak: Lead Vocal
Jean-Paul “Bluey” Maunick: Guitar
Richard Bull: Programming (Keyboards, Strings, Bass, Percussion & Drums)
Graham Harvey: Rhodes Electric Piano Solo
Thomas Dyani-Akuru: Percussion & 'Voice-Over'
Patrick Clahar: Tenor Saxophone & Saxophone Solos
Kevin Robinson: Trumpet & Flugelhorn
Fayyaz Virji: Trombone & Trombone Solo
Brass Arrangement: Kevin Robinson
Written: J-P. Maunick, R. Bull
Produced: J-P. Maunick, R. Bull
Engineered: Simon Cotsworth
Mixed: Jeremy Allom
Recorded and Mixed at Parkgate Studio, Battle
Here is that bass-line played by the bass player live:
What is with a lot of musicians - they tend to play FASTER live? Rushing where?
Why?
It changes the "feel" even of the bass-line.
N.B. It's only my opinion!