Hopkins
Commercial User
Well, I've already got you to concede that
to
So I'm guessing it's not just the vibration of the string that makes a difference in tone, the biggest influence on tone is how that string is manufactured, according to you, even though they are vibrating at the same exact primary frequency.
So your concession is noted.
Now, you might also be lead to believe that when you go to a Warmoth or Carvin website and they give an indication of the tonal qualities of the wood, they may have a point. Or when Ibanez makes their cheaper basses out of basswood, but their more expensive versions out of more exotic woods, it is for a reason. Or you might think that Roscoe, Xylem, Fodera, et al. choose their woods it has nothing to do with the tonal qualities of the wood but rather just making an expensive instrument more expensive.
So if you went from pickup placement and electronics are the most important part of tone to string manufacture is the most important part of tone, perhaps you might think about making another (albeit small) concession that the wood in the neck, fretboard, and body matters for tone.
Ok, man you got me, so let me clarify. Changing from a very bright stainless round, to a dead set of flats is the greatest change you can make to a bass that is already built. A drastic enough string change will make a larger difference than swapping pickups or preamps.
When building a bass, the decision of pickup placement is the biggest determining factor as to how the bass is going to sound. A two pickup bass with the bridge pickup as close to the bridge as you can get it, and the neck pickup about half way between the bridge and neck will be a far brighter sounding bass than one with the bridge pickup in the middle and the neck pickup as close to the neck as you can get it.
If you have paid any attention to my posts, I never denied the neck, and to a greater extent the fret board wood contributing to the tone slightly. Its the body wood that I don't think matters much.
Basswood, and other cheaper woods are used in cheap instruments because it is a cheap wood, especially when bought in bulk. That's not to say that expensive basses are not made of these woods. A MusicMan Bongo is not something I would consider cheap.
Boutique instruments like you have mentioned use exotic tops and backs because they are very nice to look at. Like JellinWellen mentioned, how much tonal advantage do you think a spalted top can make? As far as the tonewood theory goes, I think its all marketing, even if the manufacture believes it.
Anyway, thanks for trying to make me look like a dumbass