Buy one. They are relentless. Very unique...not flexible, just unique, and really fun.
I'm been looking at this pedal as well. Which version do you recommend? There's the standard and the germanium.
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Buy one. They are relentless. Very unique...not flexible, just unique, and really fun.

Hey Justin,
My first concert was a Beck show in Saratoga Springs, NY with Ben Folds Five opening...awesome show!(Odelay tour). Anyway, long time fan of your playing and approach...just curious, who are some of the more fun bands you've toured with, either as openers for your current gig, or co-headliners, etc... and also, Who are some of your personal favorite, newer groups that are out and about currently? Thanks man,
-Grady
Fernando, thank you. I still feel that Midnite Vultures is yet to receive its just rewards. I love that album body and soul.
Ya, Midnite Vultures is the shizzy for me, too. Sea Change is also up there, but I'm more of an uptempo kind of guy, and I love busy basslines on top of cool funk and rock grooves, so Midnite Vultures is it for me.I really liked Odelay too, but I can't see it as "the CLASSIC Beck album" people portray it to be. Midnite Vultures seems like it has a wider scope, and it's just so much fun listening to it. I was walking to college the other day while listening to it, and...wow, it made that 30-minute walk fly by so fast.
Beck plays bass on his albums, too. On Vultures, he played the bass on "Beautiful Way" for instance, I did everything else. I played everything on Sea Change and Mutations, he played some bass on Guero, both of us on The Information along with other people, etc. He did a lot of bass on Modern Guilt, along with whatever sampling.
"Beautiful Way" 5:44
Seemingly inspired by The Velvet Underground's "Countess from Hong Kong," a demo of which appears on the 1995 box set Peel Slowly and See. (Beck's bassist Justin Meldal-Johnsen claimed they had been listening to the demo while recording the 1999 b-side "Halo of Gold.")