I'm becoming increasingly disillusioned with the idea that a good sounding band needs to be loud. By loud I mean when patrons can't talk to each other during the performance and have to yell or resort to sign language to get a message across to the person sitting next.
That's not the way things should have gone in this business of ours. We may have to thank the British Invasion of the 60s and the like for such obnoxious treatment of popular music. I understand that larger venues require appropriate amplification but come on, deploying thousands of Watts to make the event acceptable? Well, that's total BS. Typically, after going to a bar and listening to 2 or 3 sets of your typical band, I leave the premises with my ears ringing, a clear sign of discomfort, not to mention dangerous to the hearing organs.
I'm in the market for a small combo, I mean small....25-35 Watts and after doing some tests, I'm discovering that such small amps produce more than adequate volume to play with a drummer, guitards, et al.
If a drummer overpowers my small amp, I don't want his business. Am I the only weirdo thinking along those lines?
That's not the way things should have gone in this business of ours. We may have to thank the British Invasion of the 60s and the like for such obnoxious treatment of popular music. I understand that larger venues require appropriate amplification but come on, deploying thousands of Watts to make the event acceptable? Well, that's total BS. Typically, after going to a bar and listening to 2 or 3 sets of your typical band, I leave the premises with my ears ringing, a clear sign of discomfort, not to mention dangerous to the hearing organs.
I'm in the market for a small combo, I mean small....25-35 Watts and after doing some tests, I'm discovering that such small amps produce more than adequate volume to play with a drummer, guitards, et al.
If a drummer overpowers my small amp, I don't want his business. Am I the only weirdo thinking along those lines?
