I've been thinking about these posts the last couple of days. (There was also a post by someone who said with HPF and LPF some bassists are sending a butchered signal to the FOH but I can't find it.)
So, with the talk earlier about high pass filters with poles of the first and second order in motown recordings... I was wondering about the high end and low pass filters.
It seems like low pass filters (especially from Broughton) are also becoming popular.
What are the exact specs on those? What are the slopes on those lpf's?
Wouldn't it be a great idea to have a DI signal for live use with no hpf, so the sound engineer can do his job, but also on your end to have a hpf with low-order slope to emulate (not simulate) a tweeterless cab. And not give the soundguy much of a headache and he can cut low pass and high pass on his end more thouroughly for the best live mix.
@Azure Skies makes the Broughton pedals, right? Can you shed light on my maybe naive query? thx
edit: sorry, rereading my post I may have worded this all difficultly