+1
George Carlin explains that at 1:09 in this vid:
"It's not enough to know which notes to play, you gotta know WHY they need to be played."
I sure miss him!
I miss his insight, as well. He had a way of pointing out the
"everyday obvious", that most of us completely overlook.
I do remember the piece you posted here, too.
"It's not enough to know which notes to play, you gotta know WHY they need to be played." was something I always adhered to, but was never able to express with such simplicity, so succinctly.
Thanks for the good memory.
On the whole, far too many bands look at blues as a vehicle to show off their guitarists. Some do a good job of it, most don't. Personally, I like blues played in it's original form, not the electrified 3 cord progressions in A or C that so many bands think is blues.
In many cases I prefer to switch to a double bass when playing some really smokey blues. My best personal experience playing blues was with a small group, guitar, bass, drums, piano, and sax/flute, and a female vocalist. A mixed bag of black and white musicians. I played electric and double basses in that group, we did jazz, pop, and blues numbers, and I simply loved the hell out of that arrangement. Unfortunately, three of the members were killed in a traffic accident and the rest of us just went out separate ways after that.