Sorry, I hear the words but not buying your definition. It's virtually always a put down for anything not jazz.
FWIW, I play practically no jazz. Although I am up to doing it.
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Sorry, I hear the words but not buying your definition. It's virtually always a put down for anything not jazz.
A “winker”… LOLA bagel without a hole is called a winker. They are worth less than regular bagels with a hole. I know that no one's asked, but now you know.
I would get to the doctor and quick.This reminds me, I need to work on my “drip”
Caused regional confusion as Southerners tried to figure out why Foghat had a "Rock and Biscuit" as cover art:
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THIS^ The OP is describing what we do 99% of the time that makes us good bass players. It is another way of saying we lock in and provide the proper support for the rest of the band. I have been fortunate enough to receive similar compliments. Some of it is just internal feel - either a player has it or the player doesn't, as described. But it can be developed with years of hard work. When asked how I play, I tell them that my job is so that someone will come up and compliment the band. Then I know I did my job. If someone, not a bass player or similar, would come up and say they like my bass playing, then I wonder where I stuck out of the mix improperly.One night doing a live gig for my dad's band an audience member told me "you're a good bass player, you have a nice roll." That always stuck with me because I'm definitely not that flashy as a bass player. My dad who's a guitarist and I jam with a lot often picks up the bass and even though he's basically taught me everything I know about music theory and a way better guitarist than me; he can't even hold down a nice simple do do do blues bass roll like I can it sounds too choppy.
It just kinda baffles me how that works. Everyone thinks thumping on one note for the rhythm is like falling off a log and takes no skill but my dad who can play "Skuttle Buttin" note for note on guitar, can play a lot of surf and rockabilly stuff can't capture the organic roll I can get on one note.
Nope. More fun this way.It would be nice if @Cadillac_Mike would come back to clarify.
You.mean "rolling" the OPI clicked on this thread because I knew it would be a bunch of TBers trolling the OP.
Yep.
I meant trolling but I was waiting for that.You.mean "rolling" the OP
I’ve absolutely experienced this too - and it is what it is. When I hear these comments from audience members, I just think of Lee Sklar, Bob Babbitt, Pino Palladino, James Jamerson and just smile.
One night doing a live gig for my dad's band an audience member told me "you're a good bass player, you have a nice roll." That always stuck with me because I'm definitely not that flashy as a bass player. My dad who's a guitarist and I jam with a lot often picks up the bass and even though he's basically taught me everything I know about music theory and a way better guitarist than me; he can't even hold down a nice simple do do do blues bass roll like I can it sounds too choppy.
It just kinda baffles me how that works. Everyone thinks thumping on one note for the rhythm is like falling off a log and takes no skill but my dad who can play "Skuttle Buttin" note for note on guitar, can play a lot of surf and rockabilly stuff can't capture the organic roll I can get on one note.
This reminds me, I need to work on my “drip”
From the slang dictionary…For the love of god we better be talking about spring reverb here.
Some words just aren't well suited for slang. This is one.