Well, to be fair Seinfeld was a synth was it not?And most are probably sitcom theme songs - Seinfeld, Barney Miller, Sanford & Son, Night Court...
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Well, to be fair Seinfeld was a synth was it not?And most are probably sitcom theme songs - Seinfeld, Barney Miller, Sanford & Son, Night Court...
Thank God I have never had to play Rent or Return to Forbidden Planet !! CATS however still has me seeing a therapist occasionally after all these years!!!!In my professional playing career I can safely say the same as you. I've never really need it. I've yet to meet a working bass player who has been called on to really get into it and do it. The only time it's ever been essential, and I mean if you don't play this line as a slap line you've messed up, was when it cropped up in the part for 'Return To The Forbidden Planet'. You can't even fake it because it's 8 bars of solo bass! It's easily the most unmusical moment ever but that's how the show was written so you've got to respect that. There are a few slap fills in the part for Rent as well.
Included those two very specific moments I can still count in one hand how often I've needed to do it! Do I know how to do it? Sure thing! I don't particularly enjoy it but as insurance. You might never want to do it, or need it, but if it ever crops up you'll be glad you've got it. I never want my house to be broken into but if it then I'm hoping my insurance covers it.
Hey you wacky hipsters
I just wanted to say that this post was inspired by the venerable Dr Cheese who inspired me to ask this question. In his thread "What aspect of your technique impresses you the least?" I noticed many players bemoaning their poor slap technique. I am 61 now and have had a very busy freelance career doing Show work, Jazz gigs, and Classical orchestral work to the point where I never learned to "slappa da bass". I recently left the Eastern US and relocated back to my home town (fairly good sized city btw) to spent my later years with family. I gotta say I was never asked to use it by anyone who hired me and only close friends I play with are asking me to play more contemporary jazz stuff that has it in the original recording. So I am considering putting the student hat on after all these years to learn.
NOW - this is not a post to either endorse or discourage slap technique but rather to ask: What do you gents and ladies think? What is your experience? Is it a necessary part of a working bassists tool kit? Please include what you do in your answer. Are you a bedroom bassist? Session player? Weekend Warrior? Teacher? etc.
I already have my answer. My experience has been that I never really needed it and I know of lots of UBER FUNKY players such as Jimmy Johnson, Paul Jackson, Rocco Prestia, Jaco Pastorious etc. who got by without it and there are numerous examples of players who use it well. It is always interesting to learn new things and so I want to hear from all or you.
Hey you wacky hipsters
I just wanted to say that this post was inspired by the venerable Dr Cheese who inspired me to ask this question. In his thread "What aspect of your technique impresses you the least?" I noticed many players bemoaning their poor slap technique. I am 61 now and have had a very busy freelance career doing Show work, Jazz gigs, and Classical orchestral work to the point where I never learned to "slappa da bass". I recently left the Eastern US and relocated back to my home town (fairly good sized city btw) to spent my later years with family. I gotta say I was never asked to use it by anyone who hired me and only close friends I play with are asking me to play more contemporary jazz stuff that has it in the original recording. So I am considering putting the student hat on after all these years to learn.
NOW - this is not a post to either endorse or discourage slap technique but rather to ask: What do you gents and ladies think? What is your experience? Is it a necessary part of a working bassists tool kit? Please include what you do in your answer. Are you a bedroom bassist? Session player? Weekend Warrior? Teacher? etc.
I already have my answer. My experience has been that I never really needed it and I know of lots of UBER FUNKY players such as Jimmy Johnson, Paul Jackson, Rocco Prestia, Jaco Pastorious etc. who got by without it and there are numerous examples of players who use it well. It is always interesting to learn new things and so I want to hear from all or you.
Hate to tell you this, Seinfeld bass part was played on a Korg M1 keyboard
Well, to be fair Seinfeld was a synth was it not?
No, but the more techniques you master, the more marketable you are, the more gigs you'll get and the more money you make.
Well, to be fair Seinfeld was a synth was it not?
I've yet to hear any song ever that needed slap. IMO 99.997% of the slap lines I've heard would have been better served by a funk funerstyle and the remaining .003% breaks even at best.
If your job as a “working bass player” = playing the songs that are on your iPod, you’re in good shape.2,000 plus songs on my ipod...1,975 without someone slapping a bass.
So...
I'm curious if anyone can recommend a definitive slap method system to work on developing slap. I have yet to find anything that works for me. Thanks.