I have found that I prefer to pluck my E string near the bridge, and the A string alittle closer to the neck, D string a step further from the A string and finally the G string somewhere near a jazz neck pickup. I like the E string to sound tight, but when I play at the bridge and i skip to the higher strings, my hand will gravitate nearer to the bridge when I play the high strings. This makes the D and G strings sound too thin for my taste. But if I play the d and g strings near the neck, my E string sounds muddy in the neck position as well. ANy tips?
There's no rule against moving your right hand around to pluck in different places as you play. I use all locations between the neck and the bridge on all strings depending on the sound I want. For fast string jumping passages, you may have to compromise somewhere in the middle.
It is completely understandable: g-string sounds thin plucked at the bridge but E-string sounds muddy at the neck so you gotta compensate. I pluck above the neck pickup most of the time (i play PJ-style basses), but if i play G or D string, my right hand moves closer to neck to make sound beefier (if i play bassline, not soloing, of course). Recently i've switched to 5-string and i've found that i have to pick B-string much closer to bridge pickup otherwise it lacks clarity.
Actually i do that when i play. But its hard to get it consistent when a more intricate string skipping line is presented. gotta compromise i guess
Yeah, it's something I've been aware of. I try to do the same thing, basically, but sometimes it's hard to always move for forward for the smaller strings. I mean, it get's hard for me to remember sometimes. Sometimes it comes natural, but not always. I have it bad because I also pick with my nails. By the way, I can get my PJ bass (Jazz Bass Special) to sound just like a Jazz if I play both pickups and get at the right place on the string for picking it.
The reversed P tends to have a more balanced tone from string to string when compared to a regular P.