i think people probably reacted in a similar way to a low B. the low string on my new ESP is a .125, and i can get it down to G#, i can get the .135 on my peavey to G, that's pretty close to F# iirc
so, a .135 on my ESP could probably reach F# just fine, and the G# also sounds fine through even a peavey combo amp, or my Nemesis 1x8. i think alot of you guys are exaggerating how extreme this is. plus, alot of metal guitarists are playing with F# these days, why shouldn't the bassists keep up?
in fact, i'm sure there are members on this forum right now using an F#...it's just not that big of a deal.
also, i voted more than 10 years. i think it WILL catch on, at least in heavier sub-genres of metal. in fact it already is catching on, there's no arguing that. it'll just take time to be as widely accepted as a low B. and maybe it won't have all of the P&W bassists backing it like the low B does.
so, a .135 on my ESP could probably reach F# just fine, and the G# also sounds fine through even a peavey combo amp, or my Nemesis 1x8. i think alot of you guys are exaggerating how extreme this is. plus, alot of metal guitarists are playing with F# these days, why shouldn't the bassists keep up?
in fact, i'm sure there are members on this forum right now using an F#...it's just not that big of a deal.
also, i voted more than 10 years. i think it WILL catch on, at least in heavier sub-genres of metal. in fact it already is catching on, there's no arguing that. it'll just take time to be as widely accepted as a low B. and maybe it won't have all of the P&W bassists backing it like the low B does.
I would actually listen to jazz pieces that did use it though!