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Jad Freer Sisma Mega Thread.

I have had mine for a few weeks now and the fan noise has become unnoticeable to me and I am thoroughly enjoying the tone of this amp.
the DI is great, the sound through my ampegs is superb and I am pleased to say, I was hoping to replace my super heavy tube heads with something smaller and similar tone. I can say after AB testing against my orange 200Ad head the Sisma actually sounds better!

happy customer!
 
Update: I have fallen on love with this amp. The tone is better than my orange 200 AD. The fan noise seems to have calmed down or I simply dont notice it anymore.

its a keeper and a great head. Simple and effective with outstanding tone. I am running two 4ohm ampegs. Very nice!! A bit of time with it has really changed my mind on this product.

I eventually was contacted by their team and I also appreciate the fact that they are on this forum to comment.

SISMA Bass Head Review: A Tale of Tone and First Impressions

Upon receiving the SISMA bass head, my initial anticipation was met with a slight delay in delivery, extending closer to six weeks rather than the initially expected four or five. While not a significant issue, it would have been appreciated to receive communication regarding the delay without having to initiate it myself. Nonetheless, let's delve into the experience with a positive perspective.

Motivated by a referral from fellow enthusiasts on TB (TalkBass), I was drawn to SISMA's promise of delivering the elusive tone I had been seeking, particularly in a lightweight format that eluded other options, such as valve tones in pedals.

Opting to support a smaller boutique business, I harbored expectations of a personalized touch in the unboxing experience. However, the reality fell short as the packaging lacked finesse, with styrofoam smudges marring the bag and a conspicuous absence of an owner's manual or warranty information. It's moments like these that offer an opportunity for boutique businesses to shine by infusing the unboxing with a sense of purpose and gratitude, perhaps through a simple note expressing appreciation for the support and how you have contributed to their mission. Instead the experience was more like receiving a used bass amp off EBAY or Reverb. Not a game changer but for 1700 euros surely they could make more effort (warranty/link to manual or include the manual? or a note as to where to quickly find the manual?)

Despite these initial hiccups, the true test awaited in the sound and build quality. And here, SISMA impresses. The bass head exudes a remarkable, tube-like tone that immediately commands attention. Its sturdy construction, though a tad weighty, instills confidence, fitting snugly into an over-the-shoulder gig bag.

Exploring its features, I found the headphone jack to be functional, albeit not surpassing expectations compared to other amps. Similarly, the DI Out proved its worth, delivering the promised tonal richness directly into my recording setup. Others may prefer a DI that has pre and post controls, this does not.

However, not all aspects garnered equal praise. The presence of three fans, particularly the intermittently loud ones flanking the unit, detracted from the otherwise immersive experience. Additionally, the lack of preemptive communication about this feature in may deter prospective buyers. As I type the head is turned on, and all you can hear is these two fans turning on and off.. on and off.. Is it going to blow up? I have owned a lot of gear and this is a first for me.

As I continue to explore the nuances of this bass head, my present assessment stands at a crossroads. While the undeniable allure of its tone beckons, the shortcomings in unboxing, fan noise, and lack of response on their return policies when I have asked, temper my enthusiasm. (I know what the website says but there are always other hoops to jump through).

In conclusion, while the SISMA bass head holds promise, my verdict remains uncertain, warranting further consideration for prospective buyers.

Overall Rating: 3.5/5
Pros:
- Superb tone reminiscent of tube amplifiers
- Robust build quality
- Functional headphone jack and DI Out

Cons:
- Lackluster unboxing experience
- Intermittently loud fans detract from immersion
- Overpriced: This head would be better priced at £900.
- No modern features such as usb c connections etc you get in newer amps. ( I knew this in advance but its worth pointing out to those who are used to more modern builds)

I will update this review as I learn and experience more during my two weeks of testing it out at home.
 
Oooooo… Ampeg pre with a British modeled power section? Consider my interest piqued. It doesn’t really help that I can find absolutely diddly squat when searching for sound examples for the Alessandro. The only real reference I have is how much I love the guitar tone of my Italian Grey Hound.

I guess this means I won’t be pulling any triggers anytime soon… at least until I get a good example of what the Volta is capable of. I hate that I missed the Mule show yesterday… would have been great to hear one live.

Edit: I just checked YouTube for videos, and it looks like Kevin was using the festival backline. I guess I wouldn’t have heard the Volta even if I did make it.
 
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Oooooo… Ampeg pre with a British modeled power section? Consider my interest piqued. It doesn’t really help that I can find absolutely diddly squat when searching for sound examples for the Alessandro. The only real reference I have is how much I love the guitar tone of my Italian Grey Hound.

I guess this means I won’t be pulling any triggers anytime soon… at least until I get a good example of what the Volta is capable of. I hate that I missed the Mule show yesterday… would have been great to hear one live.

Edit: I just checked YouTube for videos, and it looks like Kevin was using the festival backline. I guess I wouldn’t have heard the Volta even if I did make it.

Jack using an Alessandro with an Aguilar JC 2x8…



 
Jack using an Alessandro with an Aguilar JC 2x8…

Thanks DJ. I’ve seen/heard these… not a great frame of reference for what I’m looking to learn about the amps though. Perhaps the term “diddly squat” was a misnomer. There’s not a lot of sound examples or comparisons… and what does exist doesn’t really deliver IMO.
 
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Thanks DJ. I’ve seen/heard these… not a great frame of reference for what I’m looking to learn about the amps though. Perhaps the term “diddly squat” was a misnomer. There’s not a lot of sound examples or comparisons… and what does exist doesn’t really deliver IMO.
12852.gif


Always looking for that grit, that grind :rollno:


:)
 
Quick report on the Sisma amp. My reference is the Aguilar TH700 which I have been using and loving for several years now. I was able to A/B the Sisma and the TH700 at home with one Barefaced Super Compact 1x12.
With both amps set "flat", the Th700 is more open, or transparent, at the top end while the Sisma is just a tad warmer at the bottom end. Maybe 3/4 of a tad. The breakup the Sisma can get just using the gain knob is very tasty, moreso than with the TH gain/drive. The Sisma has the two mid-band eq's, which IMO, are an improvement over the TH700's single mid control.
I took the Sisma to do a trio gig in a theatre, running through both of the BF1x12's (4 ohms). The Sisma has what I will call "heft" to its tone. It just does a better job of pushing out that deep warmth that I love.
Hard to transcribe sound in words...
Overall, with a small sample size, I love the Sisma.
Do I love it enough to pay 2x the price of the Aguilar? No... well maybe not. But I have both the TH and Sisma amps here with me now and when the phone rings, I'm taking the Sisma.
 
Quick report on the Sisma amp. My reference is the Aguilar TH700 which I have been using and loving for several years now. I was able to A/B the Sisma and the TH700 at home with one Barefaced Super Compact 1x12.
With both amps set "flat", the Th700 is more open, or transparent, at the top end while the Sisma is just a tad warmer at the bottom end. Maybe 3/4 of a tad. The breakup the Sisma can get just using the gain knob is very tasty, moreso than with the TH gain/drive. The Sisma has the two mid-band eq's, which IMO, are an improvement over the TH700's single mid control.
I took the Sisma to do a trio gig in a theatre, running through both of the BF1x12's (4 ohms). The Sisma has what I will call "heft" to its tone. It just does a better job of pushing out that deep warmth that I love.
Hard to transcribe sound in words...
Overall, with a small sample size, I love the Sisma.
Do I love it enough to pay 2x the price of the Aguilar? No... well maybe not. But I have both the TH and Sisma amps here with me now and when the phone rings, I'm taking the Sisma.
I think that extra 'heft' you're talking about is exactly what many of us is looking for, so yes, nobody needs an amp of that price, but if one can afford it, why not?
 


Here is Eric Wilson of Sublime at Coachella with his massive Jad Freer Rig. Sublime was one of the very few acts without backing tracks.
BASS INTO:
VOLTA + 410 VENERE + 212 MINERVA (total impedance 2 Ohm)
VOLTA (plugged in slave) + 410 VENERE + 212 MINERVA (total impedance 2 Ohm)

SYNTH INTO:
SISMA + 212 MINERVA + 212 MINERVA (total impedance 2 Ohm)

Quite impressive!
 
:hyper: Finally, cab demos



Here is Eric Wilson of Sublime at Coachella with his massive Jad Freer Rig. Sublime was one of the very few acts without backing tracks.
BASS INTO:
VOLTA + 410 VENERE + 212 MINERVA (total impedance 2 Ohm)
VOLTA (plugged in slave) + 410 VENERE + 212 MINERVA (total impedance 2 Ohm)

SYNTH INTO:
SISMA + 212 MINERVA + 212 MINERVA (total impedance 2 Ohm)

Quite impressive!
 
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I've just seen today a post on Jad Freer's Instagram account, where they list their dealers in Asia (3), Europe (5), America (1) and Oceania (1), where you can find "Jad Freer gear in stock and ready to ship".

Is this the beguining of the a new strategy? I sure hope so, because it would surely help a lot to be able to see and try JF Gear before ordering, especially cabs…

[EDIT] The "Dealers" page on JF website

 

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I've just seen today a post on Jad Freer's Instagram account, where they list their dealers in Asia (3), Europe (5), America (1) and Oceania (1), where you can find "Jad Freer gear in stock and ready to ship".

Is this the beguining of the a new strategy? I sure hope so, because it would surely help a lot to be able to see and try JF Gear before ordering, especially cabs…

[EDIT] The "Dealers" page on JF website



Super nice to see that :D

Did they do the certifications for the USA or something like that ? I heard you nice something else to sell product in some country. (FCC or something like that)
 
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The Sisma has landed!

I haven't spent much time with it yet, just setting my two LDS cabs and my Tone Hammer 500 to do comparisons between the two. What I have noted, and am very happy about, is the Line Out stays active when the Mute is engaged (cue Jean Luc Picard :D); that's where I plugged my Peterson Stroboflip in. And, the Sisma makes the Aguilar feel like an empty box! :laugh: Very solid feeling. Nice. :thumbsup: