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Janek Gwizdala, the E-C setup and custom necks

Sep 12, 2004
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Mesa Boogie, Tech 21, Taylor
When most people think of 5 strings, it’s a low B setup. But with guitars and synths already going lower and lower, I think it really expands the instruments range in a good way.

A lot more usable notes, cleaner chords and solos. If you are a traditionalist, you may feel the urge to rage post, but no one cares, It’s just another option for artists.

So Janek has made a signature bass with RKM. I find it very interesting because he says his neck is made for the high C, which means it plays slimmer and faster than a wider neck meant for a B.

A lot of people who do the E-C setup just buy a new nut and change the setup of their 5 string. But I’m curious if anyone has played a bass with a neck actually meant for the E-C tuning. To me that sounds pretty cool.

Janek also uses a D tuner which I think can drop 3 semitones so he can get down to C# if he wants. That’s incredible range.

Anyway here is a link to his page discussing the bass. It’s very innovative while not being too much, imo. Double P, active, E-C.

Anyone else doing something like this? It’s a pretty cool time to play the instrument and see how it will evolve in the next 10-20 years.


 
When most people think of 5 strings, it’s a low B setup. But with guitars and synths already going lower and lower, I think it really expands the instruments range in a good way.

A lot more usable notes, cleaner chords and solos. If you are a traditionalist, you may feel the urge to rage post, but no one cares, It’s just another option for artists.

So Janek has made a signature bass with RKM. I find it very interesting because he says his neck is made for the high C, which means it plays slimmer and faster than a wider neck meant for a B.

A lot of people who do the E-C setup just buy a new nut and change the setup of their 5 string. But I’m curious if anyone has played a bass with a neck actually meant for the E-C tuning. To me that sounds pretty cool.

Janek also uses a D tuner which I think can drop 3 semitones so he can get down to C# if he wants. That’s incredible range.

Anyway here is a link to his page discussing the bass. It’s very innovative while not being too much, imo. Double P, active, E-C.

Anyone else doing something like this? It’s a pretty cool time to play the instrument and see how it will evolve in the next 10-20 years.



Like how, like it’s a compound radius to flat or something? Plenty of basses with a low B have compound radius to flat or nearly flat.

I’d be interested what they mean by profiled for chordal playing.

My initial response is it’s just marketing, but I’m sure there’s a rationale somewhere.
 
That hollow body Mattisson sounds incredible though. I count Janek as probably my biggest contemporary influence and so I had a little buyers remorse that I didn’t go E-C with my recent custom build. But tbh finding different voicings etc on a 4 string has been a good challenge, and can sound beautiful. Think I’ll be alright on a 4.
 
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I had this made about a year ago with E-C tuning in mind. 43mm nut, 20" radius, 19.5mm thickness at the first fret to 21.5mm at twelfth, 16.5mm string spacing, 32" scale length.

PXL_20240528_013729604.jpg
 
Well OP said a neck made for E-C, which I assume also means for chordal playing. So I'm trying to figure out what's different between that and all the other compound radius necks out there.

Uh no. I am simply saying the neck on the Gwiz bass is thinner than a 5 string built for a low B. According to him.
 
The Ibanez BTB33, known as the Vola, was designed to be strung E to C.

 
Changed the tuning from B-G to E-C on a new to me Alien Audio three years ago, and didn't have to change a thing. I was a little shocked, but no change at nut or bridge and no truss rod tweak necessary. 35 scale D shaped neck clearly meant for B-G, but it worked out great for me.
 
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