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Japanese Squier medium scale P bass questions

There's a MIJ Squier P bass with a 32" scale on my local CL that I'm somewhat interested in. I have a mid 90s MM Sterling USA that I'm not particularly in love with, so I'm thinking about doing a trade or partial trade for it. The thing is, I know little to nothing about Japanese Squiers other than the fact that they are much better than the current Squier sites made in other parts of Asia. I also know very little about medium scale basses other than the obvious (frets are closer together). It's an A series serial number according to the pictures. Can you tell me anything about this instrument and if it's worth looking into? He's asking for $700 for it.
 
There's a MIJ Squier P bass with a 32" scale on my local CL that I'm somewhat interested in. I have a mid 90s MM Sterling USA that I'm not particularly in love with, so I'm thinking about doing a trade or partial trade for it. The thing is, I know little to nothing about Japanese Squiers other than the fact that they are much better than the current Squier sites made in other parts of Asia. I also know very little about medium scale basses other than the obvious (frets are closer together). It's an A series serial number according to the pictures. Can you tell me anything about this instrument and if it's worth looking into? He's asking for $700 for it.
 
There's a MIJ Squier P bass with a 32" scale on my local CL that I'm somewhat interested in. I have a mid 90s MM Sterling USA that I'm not particularly in love with, so I'm thinking about doing a trade or partial trade for it. The thing is, I know little to nothing about Japanese Squiers other than the fact that they are much better than the current Squier sites made in other parts of Asia. I also know very little about medium scale basses other than the obvious (frets are closer together). It's an A series serial number according to the pictures. Can you tell me anything about this instrument and if it's worth looking into? He's asking for $700 for it.

Hey Sgroh

I am a bit of a Fender Japan medium scale historian, and there is a lot about them on my site here: Why Not Play the Bass That Fits You Perfectly?

If you want to learn more about the mediums that I own you can go here: Welcome to the Bass Guitar Gallery!

Click on an instrument and scroll down and there is a lot of history and information about the ones I have bought and/or assembled and re-imagined.

It's important to realize in the 1980's Fender Japan WAS Fender. They had shut down the manufacturing in the US to re-tool:


FENDER JAPAN IN THE 1980'S

"Back at Fender headquarters in the United States, the early ’80s was a busy time. Most significantly, CBS appointed former Yamaha executive William Schultz as president of Fender in 1981. Passionate about the brand and eager to reverse its ailing fortunes, Schultz immediately recommended modernizing Fender’s U.S. manufacturing facilities, which largely meant halting production while machinery was updated and staff was re-trained. Concurrently, he suggested building Fender instruments in Japan for the large Japanese market. This would keep Fender instruments in production and combat the cheap copies that were voraciously eating away at Fender’s Far East sales. Accordingly, Fender Japan was established in March 1982 and began building quality Fender instruments while U.S production was reorganized."

So after this went down the Japanese asked permission for Fender US to allow them to make a medium scale version of the Fender P Bass. Fender declined for reasons not really clear - but they DID allow Fender Japan to make the medium scale basses under the Squier name. This went on for several months, and when the delegation from Fender US finally arrived in Japan a few months later to check things out they were blown away by the quality of these Squiers. They then gave Fender Japan the permission at that time to go ahead and use the Fender name on them.

The interesting thing is - both the Squier and Fender medium scale P Basses rolled off the exact same assembly line, created by the same crafts people using the same wood, hardware and electronics. The only difference was that the Fender basses had an option for an ash body in addition to the basswood bodies that the majority of the Squiers were being made from. The other difference is that the more highly figured maple neck blanks were put in the Fender stack while the more plain ones went in the Squier stack. There were also a few custom colors on the Fender side that Squier did not offer as things moved along.

What I am basically telling you is that there is very little difference in quality in the 1980's medium scale P Basses between the Fenders and the Squiers. I have both and they are amazing instruments. One of the hallmarks of these instruments is that the Japanese reduced the entire instrument - body and all - around 6% to keep the ergonomics perfect. It makes their medium scalers among the most unique ever crafted - and the comfort and playability is nothing less than extraordinary. Remember, the majority of these instruments are from the mid-eighties - so they are close to 30 years old. If you are patient, it is not hard to find a nice deal on one.

Hope some of this helps....
 
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Japanese Squiers rock (as do virtually all Squiers, but that's a whole other conversation), and many other people also feel that way. You've gotten some good suggestions above for ways to research that.

Medium scale is awesome, IMO. Again, you've been given some great resources to read up more on that too.

As for the asking price, maybe do some searching in the old classifieds on here to see what things have sold for before, or look at places like reverb or ebay to see what is currently listed.

As for the Sterling, I'll look forward to seeing the ad for it. They are one of my favourite basses of all time. :)
 
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I love mine, sounds beautiful. Great neck. I also have an E series. The only thing I question is the price. I don't think that I have ever seen one on the TB Classifieds for that price. I paid $350.00 CDN for mine about three years ago.
 
$700 sounds really, really high.

These are old instruments - i would say - do the best you can on the price - keep your eyes open, there are still some really good deals to be had - but there is a wide range in price depending on condition. They are just going to keep going up and up in price.

Just remember - production was limited and sooner or later 30 year old instruments become obsolete....

Yes, they do...
 
Maybe I've just been in Japan too long (15 years). I rarely see MIJ Squier basses or guitars go for more than $200, in the shops, online, or on auctions. Except maybe the Squier Venus guitar. It probably results from the fact that most Japanese players want American-made basses and guitars, and seem embarrassed to be seen playing a Squier (even MIJ), Greco, Burny, Fernandes, etc.

Then again, I don't look TOO closely at Squiers... a bit too expensive for me! :sorry:
 
Had one. It was thumpy but definitely didn't sound like a true P bass to me. I really didn't like that the entire bass was just slightly smaller than a regular P bass. Mine also didn't intonate very well but it could have been a lemon. I think I sold it years ago for around 800 when people were going Wild for old squiers.
 
Hey Sgroh

I am a bit of a Fender Japan medium scale historian, and there is a lot about them on my site here: Why Not Play the Bass That Fits You Perfectly?

If you want to learn more about the mediums that I own you can go here: Welcome to the Bass Guitar Gallery!

Click on an instrument and scroll down and there is a lot of history and information about the ones I have bought and/or assembled and re-imagined.

It's important to realize in the 1980's Fender Japan WAS Fender. They had shut down the manufacturing in the US to re-tool:


FENDER JAPAN IN THE 1980'S

"Back at Fender headquarters in the United States, the early ’80s was a busy time. Most significantly, CBS appointed former Yamaha executive William Schultz as president of Fender in 1981. Passionate about the brand and eager to reverse its ailing fortunes, Schultz immediately recommended modernizing Fender’s U.S. manufacturing facilities, which largely meant halting production while machinery was updated and staff was re-trained. Concurrently, he suggested building Fender instruments in Japan for the large Japanese market. This would keep Fender instruments in production and combat the cheap copies that were voraciously eating away at Fender’s Far East sales. Accordingly, Fender Japan was established in March 1982 and began building quality Fender instruments while U.S production was reorganized."

So after this went down the Japanese asked permission for Fender US to allow them to make a medium scale version of the Fender P Bass. Fender declined for reasons not really clear - but they DID allow Fender Japan to make the medium scale basses under the Squier name. This went on for several months, and when the delegation from Fender US finally arrived in Japan a few months later to check things out they were blown away by the quality of these Squiers. They then gave Fender Japan the permission at that time to go ahead and use the Fender name on them.

The interesting thing is - both the Squier and Fender medium scale P Basses rolled off the exact same assembly line, created by the same crafts people using the same wood, hardware and electronics. The only difference was that the Fender basses had an option for an ash body in addition to the basswood bodies that the majority of the Squiers were being made from. The other difference is that the more highly figured maple neck blanks were put in the Fender stack while the more plain ones went in the Squier stack. There were also a few custom colors on the Fender side that Squier did not offer as things moved along.

What I am basically telling you is that there is very little difference in quality in the 1980's medium scale P Basses between the Fenders and the Squiers. I have both and they are amazing instruments. One of the hallmarks of these instruments is that the Japanese reduced the entire instrument - body and all - around 6% to keep the ergonomics perfect. It makes their medium scalers among the most unique ever crafted - and the comfort and playability is nothing less than extraordinary. Remember, the majority of these instruments are from the mid-eighties - so they are close to 30 years old. If you are patient, it is not hard to find a nice deal on one.

Hope some of this helps....

Reality is a bit different. I have an E series P bass. All and I mean everything,with the possible exception of the pots,are as I am about to state. I'll preface this by saying ,a few years ago,I contacted Fender USA ( which would not discuss 1984 Precision basses ,made in Japan . There is a reason for this ) I also contacted many in Japan,Fujigen in particular .
As mentioned,I have a Japanese P bass,with the small " made in Japan " decal on headstock. No patents etc. it of course also has the E series serial number.
Fender was in an upheaval at this time. Your correct about that. But ANY inference between the P bass of 1984 and a Squire,is very ,very far off the mark.
My bass has an original 1957 Fender maple neck,20 frets. Body is a 62 cream colour,with original period bridge of the era.
Fender is respect to the P bass only,as you suggested appeared to be of a different ilk,that other Fenders being made in Japan,in early eighties. The truth is ,a few,and I do mean very few Fender original old stock and / or the machinery from the 57/62 period was shipped to Japan. But,the P bass,was actually made from the original machines for the 57 maple neck,black dots and the 62 body and bridge. The pots on mine,were original USA. The neck and body . Made in the USA. Shipped to Japan for assembly. Merely because the California plant was not operational at the time.
With all that said,the original intent for the making of the Japanese guitars and basses ( which spanned three manufacturers ,after Fujigen ) was the idea of reissues of the original period Fenders.
Squires can in no way,compare to the bass I own. For all intents and purposes,I have a Fender 57!maple neck on a 62 body,which is what Fender intended. What they didn't intend was actually producing these P basses at that time. Your 100 % correct. The P bass was a bone of contention,and very few were made this way.
It does not say " crafted in ,nor made in Japan " anywhere on the bass.
The few of us that bought these E series P basses got very,very lucky. This bass has been disassembled by four different ,respected luthiers. All thought it a 57 neck. Obviously coveted up end butt and small part of headstock.
I wish I could post pictures. If I can,I will.
Please don't compare a Squire or any other Japanese smaller configured guitar or bass ,with the few of these full size,real deals. In closing. I TOTALLY understand the confusion. These are extremely rare ...
 
Reality is a bit different. I have an E series P bass. All and I mean everything,with the possible exception of the pots,are as I am about to state. I'll preface this by saying ,a few years ago,I contacted Fender USA ( which would not discuss 1984 Precision basses ,made in Japan . There is a reason for this ) I also contacted many in Japan,Fujigen in particular .
As mentioned,I have a Japanese P bass,with the small " made in Japan " decal on headstock. No patents etc. it of course also has the E series serial number.
Fender was in an upheaval at this time. Your correct about that. But ANY inference between the P bass of 1984 and a Squire,is very ,very far off the mark.
My bass has an original 1957 Fender maple neck,20 frets. Body is a 62 cream colour,with original period bridge of the era.
Fender is respect to the P bass only,as you suggested appeared to be of a different ilk,that other Fenders being made in Japan,in early eighties. The truth is ,a few,and I do mean very few Fender original old stock and / or the machinery from the 57/62 period was shipped to Japan. But,the P bass,was actually made from the original machines for the 57 maple neck,black dots and the 62 body and bridge. The pots on mine,were original USA. The neck and body . Made in the USA. Shipped to Japan for assembly. Merely because the California plant was not operational at the time.
With all that said,the original intent for the making of the Japanese guitars and basses ( which spanned three manufacturers ,after Fujigen ) was the idea of reissues of the original period Fenders.
Squires can in no way,compare to the bass I own. For all intents and purposes,I have a Fender 57!maple neck on a 62 body,which is what Fender intended. What they didn't intend was actually producing these P basses at that time. Your 100 % correct. The P bass was a bone of contention,and very few were made this way.
It does not say " crafted in ,nor made in Japan " anywhere on the bass.
The few of us that bought these E series P basses got very,very lucky. This bass has been disassembled by four different ,respected luthiers. All thought it a 57 neck. Obviously coveted up end butt and small part of headstock.
I wish I could post pictures. If I can,I will.
Please don't compare a Squire or any other Japanese smaller configured guitar or bass ,with the few of these full size,real deals. In closing. I TOTALLY understand the confusion. These are extremely rare ...

Howdy Jake

Yes, reality IS a bit different. You do know that this thread is about Fender MEDIUM SCALE basses and not the long scale basses you seem to be referring to?

Here is the first part of my post that you apparently missed:

I am a bit of a Fender Japan medium scale historian...

No offense at all - but my post was very specific - it was exclusively about and ONLY with respect to the medium scale Fender P basses vs. the Squier medium scale P basses of that same 1984-1987 era. You should realize that Fender US during that - or basically any other era - never made any medium scale P Basses. While I appreciate your comments, they are completely mis-directed. I have zero interest in the Fender long scale basses you are touting and describing - they don't fit me. Here it is again, with the appropriate words highlighted - since you apparently missed it the first time:

"So after this went down the Japanese asked permission for Fender US to allow them to make a medium scale version of the Fender P Bass. Fender declined for reasons not really clear - but they DID allow Fender Japan to make the medium scale basses under the Squier name. This went on for several months, and when the delegation from Fender US finally arrived in Japan a few months later to check things out they were blown away by the quality of these Squiers. They then gave Fender Japan the permission at that time to go ahead and use the Fender name on them.

The interesting thing is - both the Squier and Fender medium scale P Basses rolled off the exact same assembly line, created by the same crafts people using the same wood, hardware and electronics. The only difference was that the Fender basses had an option for an ash body in addition to the basswood bodies that the majority of the Squiers were being made from. The other difference is that the more highly figured maple neck blanks were put in the Fender stack while the more plain ones went in the Squier stack. There were also a few custom colors on the Fender side that Squier did not offer as things moved along.

What I am basically telling you is that there is very little difference in quality in the 1980's medium scale P Basses between the Fenders and the Squiers. I have both and they are amazing instruments. One of the hallmarks of these instruments is that the Japanese reduced the entire instrument - body and all - around 6% to keep the ergonomics perfect. It makes their medium scalers among the most unique ever crafted - and the comfort and playability is nothing less than extraordinary. Remember, the majority of these instruments are from the mid-eighties - so they are close to 30 years old. If you are patient, it is not hard to find a nice deal on one."

Certainly no confusion on my part as you suggest.

Full size real deal? LOL!

Here is one of my medium scale real deals, for starters:

Killer Hot Rod Web.jpg
 
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